Dropped right before Christmas last year, Rose Coloured’s Doorstep Volume 2 compilation doubtless made great stocking filler for a number of Surrey and Hampshire’s resident music fans. It also offers plenty of great reasons to get excited about the Guildford- and Aldershot-centred music scenes in 2015. Read more…
The “death of the album” has been declared many times in recent years – but nonetheless, musicians keep making them and are showing no signs of stopping (and thank God for that!). Almost a decade and a half into the twenty-first century, there still exist bands and artists capable of composing immersive, engaging, and fully satisfying collections of songs that stand up to repeated, unshuffled listens. Here are fifteen of them. Read more…
I have a very strong emotional attachment to many of the releases listed below. Choosing this list was exceptionally tough; I’ve been fortunate to discover some incredible bands and artists over the past year, and it’s safe to say that outside this list lie a great many immense tunes that can be found via a quick browse through TMMP’s archives when you’re done with this lot. However, the following choices are the cream of the crop. Read more…
With very few exceptions, Christmas music is terrible. Fortunately, the Boileroom team have good taste in tunes – and so this show was the perfect antidote to the overwrought saccharine pap that’s been unavoidable for the past few months. Read more…
Swim Good consistently rock good – and this fresh threesome continues the winning streak so far upheld by previous release Yeah Yeah Great Yeah and a pair of storming live sets. Little Victories contrasts undeniable catchiness and jaunty guitars with vicious, go-for-the-throat lyrics; Love Don’t Tempt Me shines through live demo-level production that lends a surprisingly invigorating rawness to proceedings; and the closing cover of Ella Eyre’s Comeback is slinky, shiny, and entertaining. Read more…
When I first discovered Half Crown at a secret Sofar Sounds show in a beautiful Brighton basement, I was struck by how comfortable they were in such an exposed and intimate environment. On Everything Goes, Half Crown manage to achieve that same sense of fearless liveness and meaningful connection without any face-to-face contact whatsoever. This is a rare and valuable feat in today’s increasingly digital and digitised world.
Fusing gritty blues-ridden rock’n’roll with elements of hip-hop and reggae, Half Crown have developed an energising and exciting sound that retains enough familiarity to ensure accessibility while pushing a collection of idiosyncratic personalities to the forefront. While many rock-oriented acts talk the talk and look the part but put out a self-consciously studious, even bookish vibe on record and onstage, Half Crown have not only done their homework but also twisted their tastes into something more suited to getting their plaintive and heartfelt message across. That message changes from song to song, spanning the spectrum from the personal to the political, but you cannot doubt the passion behind the playing or words for so much as a microsecond. Read more…
Biffy vibes, buckets of energy, raging outro riffs, and one of the most random videos I’ve seen this side of Baby Godzilla’s YouTube channel. All of my yes is being given to Fish Tank right now. Definitely a band to watch out for in 2015. Read more…
In Guildford, Monday night is student night – and normally, it’s not pretty. Last night, though, the streets were almost deserted, the freezing air probably prompting the town’s partygoers to settle for a night in front of the fire instead. Those in the know, however, headed Star-ward to check out one of the local scene’s favourite live acts, and give a chance to whoever might be supporting them. Read more…
In an age of instant gratification, where everyone wants everything yesterday, dropping a sophomore album over three and a half years after your debut can be an anxiety-provoking event. It can be argued that music fans are more fickle than ever, easily susceptible as we all are to distraction and immediate amnesia – and under such conditions, almost any musician could reasonably expect the world to have moved on over the course of 42 minutes, let alone months. However, Beardyman is no standard-issue artist. Read more…
What do you get if you cross Brandon Boyd’s lyricism, an idiosyncratic yet familiarly contemporary male pop vocal, a touch of Biffy Clyro’s more commercially-oriented song structures, and a little Jon Gomm-esque acoustic work? Well…this. Into Color manage to take so many disparate parts and fuse them into something appealing in a pop sense, yet sufficiently inventive to attract the praise of the most hard-bitten muso. Once again, they deserve massive respect for another solid step in the right – and a fresh and exciting – new direction. Read more…