As the world struggles with an onslaught of serious issues, it’s nice to be able to take a break every now and again and just have some fun. CHON provide an ideal soundtrack for said festivities; their back catalogue is crammed with cutesy cleans, playful and mostly instrumental math-based tunes, and good vibes aplenty. Up to this point, these guys have emphasised the clean side of instrumental guitar – but on Homey, their focus has firmly shifted Read more…
Although it’s 2017, the question of whether or not women belong in rock and metal remains an emotional trigger point for many fans. Despite its status as an all-inclusive genre that provides shelter for those used to being excluded by others, heavy music still harbours a perhaps small but nonetheless extremely vocal element set on rabidly tearing down any musician in possession of big riffs, buckets of attitude, and non-phallic genitalia.
With She Rocks Vol. 1, Favored Nations – the record label run by world-renowned guitar wizard Steve Vai – has set out a resounding rebuke that should by rights silence sexists and provide more open minds with plenty of great music on which to feast. It’s pretty sad that this release will prove controversial in some quarters, but oh well. She Rocks isn’t the kind of album that’s going to meekly turn tail and flee, and we’re not about to turn back the clock and embrace the gender-related values of the 1950s again.
Understatement of the day: Charles Bukowski is a little bit influential. Hailed as a literary hero after publishing his debut novel Post Office at the age of 50, Bukowski’s fingerprints can be found all over Californication (the hit US TV show whose protagonist, Hank Moody, was partially based on Bukowski); legendary journalist Neil Strauss’s disturbing seducer’s memoir The Game; and now, this album of beyond unsettling, straight plain fucked up instrumental jazz-rock.
MiV is primarily influenced by Bukowski’s short story The Copulating Mermaid Of Venice, Calif. – a not exactly family friendly tale about Read more…
This past Friday night, Guildford’s residents were offered a prime opportunity to catch three fascinating acts in the act of creating incredible music. It’s rare to experience a gig crammed this full of uncategorizable music – but then, the Boileroom isn’t your average venue. Kudos first has to go to the booking brains behind this show; that kind of talent isn’t Read more…
Instrumental guitar EPs shouldn’t sound like this. They should be awful, self-indulgent shitfests full of pointless musical masturbation. They definitely should not be beautiful, glorious, or epic.
On The End of Everything, Plini has done everything wrong.
Take the drums, for instance. They should be Read more…
Prepare to have your brain done in. Selectric specialise in flat-out fucked jazz fusion / post-rock à la the now-defunct Acoustic Ladyland – and if you can make it through Serfin’ USA‘s incomprehensible opening barrage, you can make it through anything. Rudnick’s Magic Recorder is as nutty as its title suggests, if not more so, while Read more…
Fuck Suzuki. Their cars are crap. My formerly faithful four-wheeler failed at completing a function even more basic than going forwards, and refused to even start. While Throatpunch City were getting through their set, I was pretty much doing this:
One train journey later, and Parachute For Gordo were, as always, goddamn incredible. Few instrumental post-rock bands infuse their music with Read more…
Given that Marco Minnemann’s EEPS was TMMP’s #2 album of 2014, the fact that I love Culture Clash Live! to pieces is probably not that much of a surprise.
For the uninitiated, the Aristocrats are one of the fusion community’s hottest tickets right now. A power trio comprising lead drummist Minnemann, lead bassist Bryan Beller, and axe-wielding maniac Guthrie Govan, the Aristocrats’ collective moniker is synonymous with Read more…
One of my favourite things about the Boileroom is the sheer diversity of musical styles that are welcomed within its walls. For this year’s DengFest, Selectric set up an appropriate air of unpredictability via Read more…