Half Crown – ‘Everything Goes’ [Review]
When I first discovered Half Crown at a secret Sofar Sounds show in a beautiful Brighton basement, I was struck by how comfortable they were in such an exposed and intimate environment. On Everything Goes, Half Crown manage to achieve that same sense of fearless liveness and meaningful connection without any face-to-face contact whatsoever. This is a rare and valuable feat in today’s increasingly digital and digitised world.
Fusing gritty blues-ridden rock’n’roll with elements of hip-hop and reggae, Half Crown have developed an energising and exciting sound that retains enough familiarity to ensure accessibility while pushing a collection of idiosyncratic personalities to the forefront. While many rock-oriented acts talk the talk and look the part but put out a self-consciously studious, even bookish vibe on record and onstage, Half Crown have not only done their homework but also twisted their tastes into something more suited to getting their plaintive and heartfelt message across. That message changes from song to song, spanning the spectrum from the personal to the political, but you cannot doubt the passion behind the playing or words for so much as a microsecond. Read more…
The Borderline – a cramped basement located around the corner from London’s infamous Crobar – is the perfect venue for a night of unrelenting rock. This time out, it’s safe to say that every band on the bill delivered exactly that. 
Although Bypolar and In Tyler We Trust gave decent showings and played their hearts out, this show was definitively all about Reeves Gabrels & His Imaginary Friends. Bypolar have improved significantly since their support slot under DZ Deathrays, and In Tyler We Trust offered a ton of hard-rocking energy twinned with the occasional flamboyant display – but it was clear from each support’s tentative and uncertain experimentations that both acts are still testing the water and building their confidence. Reeves and his über-solid band, on the other hand, are old pros at this sort of thing – and, as you’d expect, it really showed here.