Al Heslop of Creative Control Studios seems to be the go-to guy for Surrey and Hampshire’s top instrumental post-rock bands. It wasn’t too long ago that For Astronauts and Satellites dropped their Creative Control-enhanced album A Homing Light – and now long-time TMMP favourites Eschar have their first full-length album ready to go, in the form of Nova. Needless to say, the production suits the music perfectly.
The Eschar name is synonymous with Read more…
I normally hate tribute acts. I’ve seen a fair few in my time, and they never fail to bring out a borderline-allergic reaction in me. After witnessing a Rage Against The Machine tribute whose guitarist looked like Alastair Campbell, I secretly swore that Read more…
The first thing that needs to be said is this: Takedown Festival 2015 was really well-run. Organising an event that takes in over 40 bands across five stages, runs to schedule, and delivers a smooth, hassle-free and fun experience for punters is a serious ask – but the Takedown crew rose to the challenge and did an awesome job. Even the security were nice guys. Or maybe paid actors.
The second thing that needs to be said? Fuck Read more…
As a long-time Eschar fan, I’ve been looking forward to hearing new music from said band since 2012, when their epic mini-album Elements first saw the light of day. Of course, I’m not alone – Eschar have made a real name for themselves amongst Surrey’s prog-metal diehards, thanks to Read more…
Xenophobia is experiencing a real renaissance in the UK right now. Anti-EU attitudes seem to be a real talking point around these parts – and frankly, I think they’re fucking stupid. European people are badass – and if you need proof of that fact in musical form, this album should do the trick.
Although Read more…
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As one of the UK rock scene’s most hotly-hyped bands of right now, Black Peaks are a band you’ve probably at least heard of, and definitely need to hear. Talked up with huge enthusiasm by Jamie Lenman during a recent TMMP interview, behind the praise and acclaim Black Peaks are more than a mere “hype band”. On record and onstage, Black Peaks have Read more…
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Instrumental guitar EPs shouldn’t sound like this. They should be awful, self-indulgent shitfests full of pointless musical masturbation. They definitely should not be beautiful, glorious, or epic.
On The End of Everything, Plini has done everything wrong.
Take the drums, for instance. They should be Read more…
Planning a quiet night in this Saturday? Considering lighting some scented candles, taking a bubble bath, and listening to some light jazz?
The hell you are!
If you’re a serious UK rock fan, you’re doing one of two things this weekend. You’re either heading to Southampton for Takedown Festival and getting sweaty in the pit for an immense lineup of epic bands, or Read more…
Nine Inch Nails. Tesseract. You Me At Six. Strange stylistic bedfellows maybe, but Grumble Bee (aka ex-PaperPlane man Jack Bennett) has succeeded in welding them all together and creating something you absolutely have to hear immediately.
Two of my favourite TMMP genre categories are “Genre Terrorism” and “Complete Batshit Insanity” – and few acts fit those labels quite as snugly as Read more…
Tuesday was a good day until I got to this show and realised it had started earlier than predicted, and I’d missed not only openers Sutek, but also one of my favourite new bands of math-metal maniacs, Let’s Talk Daggers. Sad face indeed. Still, Swim Good soothed my cravings for complex tunes with a loose but still awesome set. These guys can do no wrong, even when beset by technical issues. They really are that goddamn good. Happy face: restored for the rest of the night.
Yearbook (think a pop-punk Reuben augmented by the occasional bit of fancy guitar work) never fail to Read more…