Prog is, at times, a strangely divided world. On one side are the true progressives, fiercely determined to push music forward into the future. On the other side stand the stuck-in-the-mud individuals whose primary objective is to cling tenaciously to the ways of the past.
Cheating the Polygraph is guaranteed to ruffle the latter camp’s feathers. A collection of Porcupine Tree songs reworked using Read more…
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Instrumental guitar EPs shouldn’t sound like this. They should be awful, self-indulgent shitfests full of pointless musical masturbation. They definitely should not be beautiful, glorious, or epic.
On The End of Everything, Plini has done everything wrong.
Take the drums, for instance. They should be Read more…
As we saw last December, Dani Rosenoer thinks differently. So, for this review, so will I. I’m going to attempt to sum up each track on Basement Jams 2 in a single sentence. Let’s see how it goes… Read more…