Hawk Eyes – ‘Everything Is Fine’ [Review]
Opening with Tom Morello-esque volume swells and kicking into a raw and stately Karnivool-style groove, The Trap is one of my favourite scene-setters in some time. I knew Everything Is Fine would be sick, but Read more…



Fuck Suzuki. Their cars are crap. My formerly faithful four-wheeler failed at completing a function even more basic than going forwards, and refused to even start. While Throatpunch City were getting through their set, I was pretty much doing this:
Acoda have spent the last few years forging a real reputation for pushing themselves right to the edge of their abilities – and Truth Seeker sees that edge extended even further than before. Injecting a post-hardcore core with guttural guitar tones, syncopation aplenty, wickedly snaky grooves, and extra-strong songwriting chops, Acoda are going to make a serious mark on the rock world’s 2015 with this album.
Discovering new music often feels like dating: first impressions are usually okay, but you just know there’s something off-putting beneath the surface. Then, when you do find whatever-it-is, you can’t run for the hills fast enough and wind up looking back and wondering what the fuck you were thinking.
Hacktivist defy categorisation. Their music is a mix of djent’s brutality and hip-hop’s flamboyance – but it’s impossible to merge those two genre labels without generating results that are…well…pretty shit. ‘Hip-djent’ reads like something you’d spot in an out of touch news rag whose contributors only feel truly comfortable with shameless fearmongering and casual racism, while ‘djent-hop’ sounds like a dance move guaranteed to alienate all but the most loyal friends.