Cambion – ‘Mechanics Of Extinction’ [Review]
If you’re a metal fan in a relationship, and you’re not sure whether your other half is really The One, try this simple test:
Step 1: Read more…
Hacktivist [Live Review – The Boileroom, Guildford, 8/12/14]
Hacktivist defy categorisation. Their music is a mix of djent’s brutality and hip-hop’s flamboyance – but it’s impossible to merge those two genre labels without generating results that are…well…pretty shit. ‘Hip-djent’ reads like something you’d spot in an out of touch news rag whose contributors only feel truly comfortable with shameless fearmongering and casual racism, while ‘djent-hop’ sounds like a dance move guaranteed to alienate all but the most loyal friends. Read more…
Meshuggah – ‘Nothing’ [Special Feature]
As the originators of the metal style known as djent, Meshuggah are one of the most influential heavy bands in existence today. If you’ve ever sat and scratched your head at an ultra-complex riff until you listened to the cymbal pattern and suddenly it all made sense, you were most likely listening to a band paying lip service to Meshuggah – if not a track by the Swedish maestros themselves. Djent bands the world over owe their rhythmic and tonal signatures to Meshuggah, although the origin of the genre-encompassing word itself is the subject of much controversy. Read more…
The Hell – ‘Groovehammer’ [Review]
The first time I heard about The Hell, I was advised to imagine The Lonely Island – only metal. Well, The Hell might not have Justin Timberlake crooning about how “Every Mother’s Day needs a Mother’s Night”, but they do have a bottomless bag of fat grooves and slightly less than serious lyrics. And they’re called The Hell – which should really be enough for any self-respecting metal fan. Read more…
Volumes – ‘No Sleep’ [Review]
Bursting out of the gate with a crystal-clear salute in Meshuggah’s direction and really coming into its own from second track 91367 onward, No Sleep is a dense album easily penetrable to fans of modern progressive metal, and worth the time and effort for the curious. Read more…
Black Peaks – ‘Closer To The Sun’ [Review]
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There are three kinds of bands: Those who sound good on record, those who sound good live, and those who do both. Ideally, every band would fit the third mould – but even if that were the case, Black Peaks would still stand out by a dozen country miles. Read more…
Júlio Stotz – ‘Suspended In Reverie’ [Review]
One of my favourite things about the Internet is easy access to music from across the world. Here at TMMP, I’ve been honoured to hear music from the UK, the USA, Belgium, France, Israel, Japan, and many other territories besides. Júlio Stotz hails from Brazil – and his debut EP Suspended In Reverie is a confident, flamboyant, and solid-as-concrete construction. Read more…
Now, Voyager – ‘Tell-Tale Hearts EP’ [Review]
Well, fuck me. These kids are pretty angry! Hardcore prog-punk’s been a fairly trendy genre since the rock world wised up to the genius of The Dillinger Escape Plan, and few bands following in Dillinger’s wake have made a serious, crystal-clear-obvious effort to escape their heroes’ back-flipping, ceiling-walking, onstage-shit-flinging shadow. But on Tell-Tale Hearts Now, Voyager do precisely that. Read more…