Giacomo Pope – ‘Skin’ [Review]
Giacomo Pope is a musical chameleon. As an axe-handler for Chronographs, this guy made a name for himself through hyperkinetic tech-metal and (in 2014) complex yet catchy math-rock. Now that Chronographs have been put (hopefully temporarily) on hold following the amicable departure of vocalist Jon Sinfield, Pope has Read more…

Al Heslop of Creative Control Studios seems to be the go-to guy for Surrey and Hampshire’s top instrumental post-rock bands. It wasn’t too long ago that For Astronauts and Satellites dropped their Creative Control-enhanced album A Homing Light – and now long-time TMMP favourites Eschar have their first full-length album ready to go, in the form of Nova. Needless to say, the production suits the music perfectly.
Prog is, at times, a strangely divided world. On one side are the true progressives, fiercely determined to push music forward into the future. On the other side stand the stuck-in-the-mud individuals whose primary objective is to cling tenaciously to the ways of the past.
Instrumental post-rock can be tough to listen to at times. Even when the vibes are cool, it can quickly become repetitive and dull rather than sublimely hypnotic. This release is definitely the latter though.
Fuck Suzuki. Their cars are crap. My formerly faithful four-wheeler failed at completing a function even more basic than going forwards, and refused to even start. While Throatpunch City were getting through their set, I was pretty much doing this:
Given that Marco Minnemann’s EEPS was
Some shows are born special. Although I’m relatively new to The Hell, I’ve already become hopelessly addicted to their latest album (reviewed