Max Raptor / Yearbook / Swim Good / Let’s Talk Daggers / Sutek [Live Review – The Boileroom, Guildford, 24/2/2015]
Tuesday was a good day until I got to this show and realised it had started earlier than predicted, and I’d missed not only openers Sutek, but also one of my favourite new bands of math-metal maniacs, Let’s Talk Daggers. Sad face indeed. Still, Swim Good soothed my cravings for complex tunes with a loose but still awesome set. These guys can do no wrong, even when beset by technical issues. They really are that goddamn good. Happy face: restored for the rest of the night.
Yearbook (think a pop-punk Reuben augmented by the occasional bit of fancy guitar work) never fail to Read more…
Three guys made this album.
In an age of unrelenting retromania, music desperately needs to move forward. In the rock and metal underground, we’re lucky to be a part of that movement in supporting bands like Red Seas Fire. Massively syncopated, sensorily hyperstimulating, and modern yet emotive and non-clinical, Blood Bank forms just one quarter of 
Fuck Suzuki. Their cars are crap. My formerly faithful four-wheeler failed at completing a function even more basic than going forwards, and refused to even start. While Throatpunch City were getting through their set, I was pretty much doing this:
Discovering new music often feels like dating: first impressions are usually okay, but you just know there’s something off-putting beneath the surface. Then, when you do find whatever-it-is, you can’t run for the hills fast enough and wind up looking back and wondering what the fuck you were thinking. 
Hacktivist defy categorisation. Their music is a mix of djent’s brutality and hip-hop’s flamboyance – but it’s impossible to merge those two genre labels without generating results that are…well…pretty shit. ‘Hip-djent’ reads like something you’d spot in an out of touch news rag whose contributors only feel truly comfortable with shameless fearmongering and casual racism, while ‘djent-hop’ sounds like a dance move guaranteed to alienate all but the most loyal friends. 
As the originators of the metal style known as djent, Meshuggah are one of the most influential heavy bands in existence today. If you’ve ever sat and scratched your head at an ultra-complex riff until you listened to the cymbal pattern and suddenly it all made sense, you were most likely listening to a band paying lip service to Meshuggah – if not a track by the Swedish maestros themselves. Djent bands the world over owe their rhythmic and tonal signatures to Meshuggah, although the origin of the genre-encompassing word itself is the subject of much controversy.