For the past several months, TMMP has watched Bristol-based math rock quintet Chronographs go from strength to strength while pursuing their ‘One Song A Month For A Year’ project. Then disaster struck last week with the departure of vocalist Jon Sinfield – the lyricist and voice behind tunes as varied as the haunting Porcelain and upbeat, summery Flat White. Read more…
Somewhere in the labyrinthine depths of the Scala, Allusondrugs got this Friday night off to a raucously grungy start. Stir remained as shiver-inducing as ever, while the Reuben-esque Am I Weird? elicited laughter followed by hectic headbanging. Throughout this short but perfectly formed set, Allusondrugs shone through the dirt like a five-piece Nirvana, with jagged guitars rending the air before climaxing amid a frontman-versus-guitarist wrestling match. Read more…
This EP is aptly titled. If you’re feeling starved of intense and immense prog-fusion brilliance, then you should do two things: Read more TMMP, and check out CHON. They’ll seduce you effortlessly with opening acoustic-centric track Super Potion, and leave you wondering what the fuck just happened by the time Knot is finished. Not bad for just two tunes. Read more…
I was first introduced to this album by Falsense – and now, let’s just say that I owe him a lot of drinks. I already spend much of my spare time listening to fusion and prog bands – many of whom have been written about in this very corner of the interwebs – and my standards have been driven consistently upwards by the outstanding contributions that have already come my way. Nonetheless, Father Figure meet (and frequently exceed) those standards with a borderline terrifying effortlessness. Read more…
Now this was a real rock show. TMMP favourites In Dynamics got things off to a wicked start, performing flawlessly to an already-rammed Boileroom and running through epic tunes old and new. Immense alt-rock crackers like Waking Life and personal favourite The House sound extra fierce live, while In Dynamics’ freshest songs hint at a slightly heavier djent-influenced direction spiced up with even more delicate clean sections. In Dynamics are slowly carving out their own niche somewhere between Biffy Clyro and Arcane Roots, showing promise, progress, and some real reasons to get excited about their future. Read more…
When it comes to math-rock, ‘control’ is a key word. When odd time signatures, super-syncopated riffs, and all manner of other rhythmic tricks come into play, the results inevitably become difficult to suss out. In other words, the music feels unpredictable. Hyperactively labyrinthine. Out of control. Read more…
Long-time TMMP favourites Signals. are nothing if not ambitious, combining the best elements of math-rock and pop – two very different genres – into something vibrant, exciting, and fresh. A year ago, Signals. were sitting on one of my favourite EPs of the year; today, they’ve got a successful Kickstarter campaign, a new song (Sleep Talk), and a new record deal under their belts – and the heavily-anticipated party starts on October 19th with the commencement of Signals.’ quirkily-monikered ‘Sleep TourK’.
Read on to learn more about Signals., the joys of connection, and the intense demands of their most private creative ritual – exclusively revealed below. Read more…
Regular TMMP readers (as well as my family, friends, and any stranger who’s sat next to me on the train for more than five minutes) will probably be sick to death of hearing me rant about how goddamn amazing Marmozets are. Well, I have many a good reason for doing so – and this 13-track slab of genius is another one to add to the list. Read more…
Their name might evoke images of seedy backstreet Chinatown massage parlours, but Dragons That Make Love To Pandas offer much more than just happy endings. Every moment on Roundabouts is masterfully tuned to elicit maximum pleasure of a different sort – the kind of excitement that comes from having one’s auditory cortex stimulated by a unique combination of stylistic elements. DTMLTP drop ska, math, guitar-pop and more into the musical equivalent of CERN’s Large Hadron Collider, and what emerges is appropriately awe-inspiring. Read more…
Metal’s been around for a long time now – but it never ceases to amaze me how many musicians are still finding ways to breathe new life into a genre so frequently mocked for its backward-looking retromania.
On Confrontation, Red Seas Fire take all manner of pre-existing metallic mutations and mix them into still another fresh sound. Think Korn’s first album mixed with Periphery’s latest and you have Tyrants; visualise Chester Bennington laying down vocals over a Killswitch Engage / Tesseract jam and you’ll get closing track Compass. The Gold Room, meanwhile, offers fuzzy riffs and hardcore vocals alongside catchy lyrics sure to translate live and a bit of Dillinger Escape Plan-esque mathiness toward the end, while The Grand Escape is pure djent-fuelled filth. In short, Confrontation is all killer, and absolutely no filler. Read more…