Nine Inch Nails. Tesseract. You Me At Six. Strange stylistic bedfellows maybe, but Grumble Bee (aka ex-PaperPlane man Jack Bennett) has succeeded in welding them all together and creating something you absolutely have to hear immediately.
Two of my favourite TMMP genre categories are “Genre Terrorism” and “Complete Batshit Insanity” – and few acts fit those labels quite as snugly as Read more…
In an age of unrelenting retromania, music desperately needs to move forward. In the rock and metal underground, we’re lucky to be a part of that movement in supporting bands like Red Seas Fire. Massively syncopated, sensorily hyperstimulating, and modern yet emotive and non-clinical, Blood Bank forms just one quarter of Read more…
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As I write these words, the internet is exploding. To say that this concept double album has been hotly anticipated is a major understatement; to judge from all the hype, Juggernaut is nothing less than the metal world’s equivalent of a cancer cure.
Well, is it?
I’m glad you asked. Read more…
The “death of the album” has been declared many times in recent years – but nonetheless, musicians keep making them and are showing no signs of stopping (and thank God for that!). Almost a decade and a half into the twenty-first century, there still exist bands and artists capable of composing immersive, engaging, and fully satisfying collections of songs that stand up to repeated, unshuffled listens. Here are fifteen of them. Read more…
I have a very strong emotional attachment to many of the releases listed below. Choosing this list was exceptionally tough; I’ve been fortunate to discover some incredible bands and artists over the past year, and it’s safe to say that outside this list lie a great many immense tunes that can be found via a quick browse through TMMP’s archives when you’re done with this lot. However, the following choices are the cream of the crop. Read more…
In the weeks leading up to Christmas, the metal side of the music business shuts down. Fans of heavy music across the world use the festive season to hibernate, nurse their bangovers, get drunk, and sharpen their skills on FIFA while the pop side of the music world excretes yet another warbling X Factor karaoke puppet and shoppers get smothered under a tidal wave of Now That’s What I Call Christmas! CDs. All goes quiet on the metal front until the new year hits.
Discovering new music often feels like dating: first impressions are usually okay, but you just know there’s something off-putting beneath the surface. Then, when you do find whatever-it-is, you can’t run for the hills fast enough and wind up looking back and wondering what the fuck you were thinking. Read more…
Hacktivist defy categorisation. Their music is a mix of djent’s brutality and hip-hop’s flamboyance – but it’s impossible to merge those two genre labels without generating results that are…well…pretty shit. ‘Hip-djent’ reads like something you’d spot in an out of touch news rag whose contributors only feel truly comfortable with shameless fearmongering and casual racism, while ‘djent-hop’ sounds like a dance move guaranteed to alienate all but the most loyal friends. Read more…
As the originators of the metal style known as djent, Meshuggah are one of the most influential heavy bands in existence today. If you’ve ever sat and scratched your head at an ultra-complex riff until you listened to the cymbal pattern and suddenly it all made sense, you were most likely listening to a band paying lip service to Meshuggah – if not a track by the Swedish maestros themselves. Djent bands the world over owe their rhythmic and tonal signatures to Meshuggah, although the origin of the genre-encompassing word itself is the subject of much controversy. Read more…
Cute. Cheerful. Bright and sunny. Nice. Win Some X Lose Some is none of these things. Read more…