I have a very strong emotional attachment to many of the releases listed below. Choosing this list was exceptionally tough; I’ve been fortunate to discover some incredible bands and artists over the past year, and it’s safe to say that outside this list lie a great many immense tunes that can be found via a quick browse through TMMP’s archives when you’re done with this lot. However, the following choices are the cream of the crop. Read more…
With very few exceptions, Christmas music is terrible. Fortunately, the Boileroom team have good taste in tunes – and so this show was the perfect antidote to the overwrought saccharine pap that’s been unavoidable for the past few months. Read more…
In the weeks leading up to Christmas, the metal side of the music business shuts down. Fans of heavy music across the world use the festive season to hibernate, nurse their bangovers, get drunk, and sharpen their skills on FIFA while the pop side of the music world excretes yet another warbling X Factor karaoke puppet and shoppers get smothered under a tidal wave of Now That’s What I Call Christmas! CDs. All goes quiet on the metal front until the new year hits.
Discovering new music often feels like dating: first impressions are usually okay, but you just know there’s something off-putting beneath the surface. Then, when you do find whatever-it-is, you can’t run for the hills fast enough and wind up looking back and wondering what the fuck you were thinking. Read more…
In music, the term ‘side project’ is all too often synonymous with ‘pretentious and execrable waste of time’. Not so here – although given that we’re talking about a member of Between The Buried And Me (who even managed to put out a non-shitty covers album), it shouldn’t be that much of a surprise. Read more…
Hacktivist defy categorisation. Their music is a mix of djent’s brutality and hip-hop’s flamboyance – but it’s impossible to merge those two genre labels without generating results that are…well…pretty shit. ‘Hip-djent’ reads like something you’d spot in an out of touch news rag whose contributors only feel truly comfortable with shameless fearmongering and casual racism, while ‘djent-hop’ sounds like a dance move guaranteed to alienate all but the most loyal friends. Read more…
As the originators of the metal style known as djent, Meshuggah are one of the most influential heavy bands in existence today. If you’ve ever sat and scratched your head at an ultra-complex riff until you listened to the cymbal pattern and suddenly it all made sense, you were most likely listening to a band paying lip service to Meshuggah – if not a track by the Swedish maestros themselves. Djent bands the world over owe their rhythmic and tonal signatures to Meshuggah, although the origin of the genre-encompassing word itself is the subject of much controversy. Read more…
Cute. Cheerful. Bright and sunny. Nice. Win Some X Lose Some is none of these things. Read more…
This isn’t so much an album as an unforgiving barrage of beyond-heavy ultra-distorted guitars, cage-fighting drums, utterly guttural bass, and brutalising vocals. If you’re only interested in nice and friendly finger-clicking tunes, Badlands is not for you – but if you’re pissed off beyond reason and your tastes tend toward the corner of musicland labelled ‘Extreme Metal’, it most certainly is. Read more…
Some shows are born special. Although I’m relatively new to The Hell, I’ve already become hopelessly addicted to their latest album (reviewed here) – so nothing short of a bad case of death was going to stop this show (the first of The Hell’s A Shitemare Before Christmas tour) from getting featured on TMMP. Read more…