Hacktivist [Live Review – The Boileroom, Guildford, 8/12/14]

hacktivistHacktivist defy categorisation. Their music is a mix of djent’s brutality and hip-hop’s flamboyance – but it’s impossible to merge those two genre labels without generating results that are…well…pretty shit. ‘Hip-djent’ reads like something you’d spot in an out of touch news rag whose contributors only feel truly comfortable with shameless fearmongering and casual racism, while ‘djent-hop’ sounds like a dance move guaranteed to alienate all but the most loyal friends. Read more…

Posted on 10 December 2014

Half Crown – ‘Everything Goes’ [Review]

half crown everything goesWhen I first discovered Half Crown at a secret Sofar Sounds show in a beautiful Brighton basement, I was struck by how comfortable they were in such an exposed and intimate environment. On Everything Goes, Half Crown manage to achieve that same sense of fearless liveness and meaningful connection without any face-to-face contact whatsoever. This is a rare and valuable feat in today’s increasingly digital and digitised world.

Fusing gritty blues-ridden rock’n’roll with elements of hip-hop and reggae, Half Crown have developed an energising and exciting sound that retains enough familiarity to ensure accessibility while pushing a collection of idiosyncratic personalities to the forefront. While many rock-oriented acts talk the talk and look the part but put out a self-consciously studious, even bookish vibe on record and onstage, Half Crown have not only done their homework but also twisted their tastes into something more suited to getting their plaintive and heartfelt message across. That message changes from song to song, spanning the spectrum from the personal to the political, but you cannot doubt the passion behind the playing or words for so much as a microsecond. Read more…

Posted on 04 December 2014

Beardyman [Live Review – KOKO, London, 28/11/14]

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On the walk from Waterloo station to Camden, I passed at least three busking beatboxers. The faces were different, but the acts were the same – a combination of robot impressions, oppressively generic beats, and faithful and flawless impressions of a variety of non-percussive instruments. By the time KOKO’s dramatic facade came into view, the novelty of solo beatboxing had more than worn off; London was beginning to feel saturated by Beardyman wannabes. Read more…

Posted on 01 December 2014

Half Crown / Hatton Manor / Jack Williams [Live Review – Sofar Sounds, Brighton, 26/11/14]

sofar soundsSofar Sounds are the most fascinating live music promoters you’ve never heard of. A global collective of music fans, Sofar tap into humanity’s need for community, connection, and intimacy by hosting secret small-scale shows showcasing the talents of a diverse range of artists. This evening’s event took place in an endearingly arty Brighton basement – an appropriate location for what was to come. Read more…

Posted on 29 November 2014

Idiom – ‘Movement EP’ [Review]

idiom movementI’m not one for golden-age thinking. Although the alt-metal movement that got me into music birthed some breathtaking albums, a lot of it was shit. Alt-metal’s new breed, however, are taking the best of the past and using it to forge a better future. Read more…

Posted on 27 September 2014

Black Futures / Seething Akira / Biometrix [Live Review – The Boileroom, Guildford, 25/9/14]

Black-Futures-live 1It’s weird to think this gig would never have happened had the Boileroom’s licence been suspended – but the former did happen, because the latter wasn’t. The peacefully dubstep-loving crowds were out in droves last night to check out: Read more…

Posted on 26 September 2014

The Dillinger Escape Plan feat. Jarren Benton – ‘Rage’ [Review]

converse ep vol 2This track broke my brain, in a good way. By all rights, rapping and flowing over Dillinger’s hyper-complex mathcore insanity should be as impossible as taking flight by flapping your arms really quickly – but on Rage Jarren Benton proves that assumption wrong with style, panache, and still more style. Math-rap should be a thing, especially considering a) how hard this track wins; b) that being able to rap over something that’s not in 4/4 is as worthy a thing to boast about as the size of your bank account and/or cock; and c) that Jarren Benton’s only current competition (see YouTube below) are missing the point entirely. Read more…

Posted on 15 September 2014

Sonic Boom Six – ‘The Boom Needs You!’ [Review]

sonic boom six the boom need syouSome of the catchiest pieces of music ever written were conceived as advertising jingles. Whether it’s Go Compare’s opera singer or McDonalds’ I’m Lovin’ It campaign, we can all think of at least one jingle that we instantly regret remembering because (in the cases above) it either makes us want to kill ourselves, or was used to sell addictive products that could potentially kill you. Thank fuck, then, that Sonic Boom Six’s PledgeMusic campaign is being pushed out into the world via The Boom Needs You! – a song that I didn’t originally plan on reviewing, but which became so lodged in my brain that I felt compelled to write these words. Read more…

Posted on 21 August 2014

Princess Slayer feat. ShaoDow – ‘Rave Ninja’ [Review]

PS ft. ShaoDowOne of TMMP’s top unsigned artists.

Getting filthier than ever before.

Teaming up with a seriously sick rap don.

And referencing martial arts masterpiece Ong-Bak, and O-Ren Ishii (a key character from Kill Bill). See the videos below if you’ve never seen two of the greatest movies of all time.

This could only be better if it were being played live, in front of my eyes, with a deep thudding kick drum in my guts and those synths churning through the bodies of a field full of fellow festivalgoers. Read more…

Posted on 17 June 2014

Dani Rosenoer – ‘Basement Jams 2 EP’ [Review]

dani rosenoer basement jamsAs we saw last December, Dani Rosenoer thinks differently. So, for this review, so will I. I’m going to attempt to sum up each track on Basement Jams 2 in a single sentence. Let’s see how it goes… Read more…

Posted on 01 May 2014

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