I have a very strong emotional attachment to many of the releases listed below. Choosing this list was exceptionally tough; I’ve been fortunate to discover some incredible bands and artists over the past year, and it’s safe to say that outside this list lie a great many immense tunes that can be found via a quick browse through TMMP’s archives when you’re done with this lot. However, the following choices are the cream of the crop. Read more…
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On the walk from Waterloo station to Camden, I passed at least three busking beatboxers. The faces were different, but the acts were the same – a combination of robot impressions, oppressively generic beats, and faithful and flawless impressions of a variety of non-percussive instruments. By the time KOKO’s dramatic facade came into view, the novelty of solo beatboxing had more than worn off; London was beginning to feel saturated by Beardyman wannabes. Read more…
If you love diversity, Brighton (aka Camden-on-Sea) is damn near perfect. Its top alternative music venue, the Concorde 2 – situated next door to the beach – hosted batshit crazy prog-metal mentalists SikTh on a school night last week. Now, just a few days later, a mixed-bag crowd of dub lovers are filing in to spend Saturday night the right way – enjoying music that moves the hips as much as the head. Read more…
Now is a very exciting time for live electronica legends Submotion Orchestra, with their latest long-playing opus Alium (reviewed here) dropping on November 24th and their biggest headline show to date taking place at the Forum in London tomorrow. Submotion Orchestra keyboardist Taz took some time out of his hectic schedule to talk about Alium, his single-item bucket list, and more. Read more…
In an age of instant gratification, where everyone wants everything yesterday, dropping a sophomore album over three and a half years after your debut can be an anxiety-provoking event. It can be argued that music fans are more fickle than ever, easily susceptible as we all are to distraction and immediate amnesia – and under such conditions, almost any musician could reasonably expect the world to have moved on over the course of 42 minutes, let alone months. However, Beardyman is no standard-issue artist. Read more…
Amid endless seas of wannabes trapped in a quicksand composed of hollow and lifeless MIDI sequences, Submotion Orchestra have long stood out by a fair few light years. Their recordings consistently ooze warmth and a vital humanity – and Alium continues this trend in impressive and impactful fashion. Read more…
Although I’m a huge fan of Project RnL, and TMMP is all about negating musical boundaries, my first reaction to Expiration Date was something along the lines of “Just what the hell is this?!” Read more…
On paper, an ode to a piece of gear (in this case Waves’ Codex synth) should really, really not work this well as a piece of music. But then again, Eyal Amir isn’t your run-of-the-mill composer. Theme From Planet Codex all but bursts with joy and cuteness, effectively representing the rapture of pure creative inspiration in almost exactly four minutes.
Listen up: This is the sound of a master at work. Read more…
It’s weird to think this gig would never have happened had the Boileroom’s licence been suspended – but the former did happen, because the latter wasn’t. The peacefully dubstep-loving crowds were out in droves last night to check out: Read more…
Last night was a reset-hitting moment for a venue whose continued survival was confirmed just over 24 hours previously. Vintage swing music played in the background while earlycomers gathered around a table laden with instruments, effect boxes, microphones, an iPad, and even fairy lights to await the arrival of first act, A R T E L S. Read more…