Live Review: Cavalier / Bridges / Red House Glory [Live Review – The Boileroom, Guildford, 25/2/2015]
Although I enjoyed Red House Glory‘s Foo Fighters-esque radio-friendly rock songs and decent vocal harmonies, and Bridges deserve recognition for their frontman’s emotive vocals and their unorthodox harmony guitars, I have a few things to get off my chest not only about Cavalier, but bands who come from a music-school background in general.
First off, I should say that I come from that background too – I did four years at ACM, and although when I put it that way it sounds like a prison sentence, it really Read more…
As a music venue embedded into Stamford Bridge (the stadium called home by Chelsea F.C.), Under the Bridge was an appropriately unique venue for this unique show. An industry showcase set up by trade paper Music Week, networking hub MusicConnex, promoters ILUVLIVE, and south coast music school BIMM, it goes without saying that the high-profile nature of this show inevitably brought its own special set of performance pressures. A quality showcase set has the potential to push an act to the next level, while a duff performance can see a band crossed off “Ones To Watch” lists in the blink of an eye.
Tuesday was a good day until I got to this show and realised it had started earlier than predicted, and I’d missed not only openers Sutek, but also one of my favourite new bands of math-metal maniacs, Let’s Talk Daggers. Sad face indeed. Still, Swim Good soothed my cravings for complex tunes with a loose but still awesome set. These guys can do no wrong, even when beset by technical issues. They really are that goddamn good. Happy face: restored for the rest of the night.
Beautiful Nothing is bold, powerful, and as infectious as the STDs which people across the world are preparing to reveal to their partners now that Valentine’s Day is over.
Incubus are one of my favourite bands of all time – and so this review is subject to a certain level of overexcited-fanboy bias. Oh well. One of my favourite things about Incubus is their willingness to challenge 
Clean, pristine, and polished so much it shines, Following Foxes’ debut EP is a prime cut of pro-grade acoustic-driven folk rock. Although the airtight production does eat into the earthy and organic vibes common to most releases in their chosen genre, Following Foxes’ songs are 
Although Coming For You‘s grooves lack the granite-solid feel of the Offspring’s greatest songs, you can’t fault them for trying something new. Coming For You is a no-nonsense rock tune, and it would likely go over well as part of a full-on live set – but still, on this recording it feels like 
Some experiences come along just once in a lifetime – and the capacity crowd jammed sardine-like into the Boileroom were keenly aware of that fact. The tickets held by the lucky three hundred had been coveted by thousands of others, with five figures’ worth of rabid rock fans flooding ticket sites and ensuring 
Fuck Suzuki. Their cars are crap. My formerly faithful four-wheeler failed at completing a function even more basic than going forwards, and refused to even start. While Throatpunch City were getting through their set, I was pretty much doing this:
One of my favourite things about the Boileroom is the sheer diversity of musical styles that are welcomed within its walls. For this year’s DengFest, Selectric set up an appropriate air of unpredictability via