I Divide – ‘Last One Standing’ [Review]
Pure punk-metal grit, guts, and glory. Stick-in-the-head songcraft; one-inch-punch drums; confident and melodic guitar work; sick beatdowns – all that and more is present on opening track and lead single Follow Me alone. Personal highlights abounded on Last One Standing, but it you were to stick a gun in my ear and force three choices I’d have to pick Tell Me Something‘s epic drum work; second single I’m Not Leaving‘s slick and slinky electronic touches; and Living In A Hurricane‘s modern rock chorus-writing mastery. Read more…

I’m not one for golden-age thinking. Although the alt-metal movement that got me into music birthed some breathtaking albums, a lot of it was shit. Alt-metal’s new breed, however, are taking the best of the past and using it to forge a better future.
It’s weird to think this gig would never have happened had the Boileroom’s licence been suspended – but the former did happen, because the latter wasn’t. The peacefully dubstep-loving crowds were out in droves last night to check out:
BEAR know how to fucking rock. Tighter than a gimp suit that’s been left in the wash and as dense as a black hole’s singularity, on Mantiis Belgium’s loud-and-clear answer to the Dillinger Escape Plan take on desire, exploitation, and self-centredness via much brutal riffing and a no-nonsense video. Not for the faint of heart, but an undeniable blinder for the rest of us.
Regular TMMP readers (as well as my family, friends, and any stranger who’s sat next to me on the train for more than five minutes) will probably be sick to death of hearing me rant about how goddamn amazing Marmozets are. Well, I have many a good reason for doing so – and this 13-track slab of genius is another one to add to the list.
Last night was a reset-hitting moment for a venue whose continued survival was confirmed just over 24 hours previously. Vintage swing music played in the background while earlycomers gathered around a table laden with instruments, effect boxes, microphones, an iPad, and even fairy lights to await the arrival of first act, A R T E L S.
I love bands that mean it. Cold Summer have spent a fair few years working on themselves – and on Car Crash (In Progress), it really shows. Polished and professional yet still raw, passionate, and in your face, this is a total barnstormer of a song that you need to check out right now.
Metal’s been around for a long time now – but it never ceases to amaze me how many musicians are still finding ways to breathe new life into a genre so frequently mocked for its backward-looking retromania.
If you’ll pardon the pun, there’s something to be said for a precisely delivered lyric. Timing, word choice, vocal delivery and all of its complications – there are so many elements that need to be approached flawlessly in order to make a song super-effective. On No Love, No Hope, No Future, Canvas get it all right – again and again and again.
When I