Shrine / I Plead Irony / Throatpunch City / For Astronauts And Satellites [Live Review – The Boileroom, Guildford, 3/7/14]
I’m going to skip any introductory stuff and just jump to…
For Astronauts And Satellites
…because fuck me, I have no idea how these guys do what they do. I’ve heard of chiptune before, but since I’m not much of a gamer I always dismissed it as being a bit too geeky for my tastes. Judging by this display, I was dead wrong. Read more…

The Bellerophon Project certainly know how to pack every last microsecond with something, whether it be hyper-distorted, none-more-syncopated riffage, elegantly soaring synthetic layers, jazzy and serene clean tones, or even – on occasion – silence.
When two of the bands on a three-band bill spell their names in full caps, you know – or, at least, hope – that it’s going to be a) LOUD, and b) EPIC.
Prepare to have your brain broken.
The secret to effective writing is to omit unnecessary words. So the words that follow are the only ones you need to read.
As we saw last December
First things first. Beneath Dead Waves are a great band. They clearly know their shit; their instrumental technique is borderline flawless; and any self-respecting metalhead will find something to love on Inertia. Personally, I felt as if this album had been written just for me, clearly influenced as it is by many of the bands that defined me as a metal fan. There’re moments that bring to mind Dream Theater, Tool, Mudvayne, SikTh, Slipknot, and Meshuggah – and it’s clear that Beneath Dead Waves love those bands as much as I do (if not more). For that reason, Inertia has earned a special place in my heart.
No, Dillinger, it isn’t. Sorry.
One of my favourite things about the Internet is easy access to music from across the world. Here at TMMP, I’ve been honoured to hear music from the UK, the USA, Belgium, France, Israel, Japan, and many other territories besides. Júlio Stotz hails from Brazil – and his debut EP Suspended In Reverie is a confident, flamboyant, and solid-as-concrete construction.