Nobody likes Mondays. Badly managed train companies, rude customers, horrible booses – all of the above and more can join together in making us feel like the world is against us. Come the evening, a reprieve is badly needed.
Guildfordian musician Andrew Ford (aka Inner Pieces) has hit on an awesome way to retreat from Read more…
Quatre Femmes Records have great taste – and Hannah Lou Clark‘s Boileroom set offered irrefutable evidence of that fact. Whether performing in a stripped-down setting with an electric guitar and backing vocalists or backed up by a full band, Hannah Lou Clark’s attitude, songwriting skills, and nuanced vocal shone through in Read more…
I have no excuse for missing most of Gold Phoenix’s intense garage-rocking set. I’m just a bad person.
The Greasy Slicks, on the other hand, are good. As a matter of fact, they’re more than just good – they’re fucking immense. Flat-out fucked drums, flamethrower guitars, and Read more…
One of my favourite things about the Boileroom is the sheer diversity of musical styles that are welcomed within its walls. For this year’s DengFest, Selectric set up an appropriate air of unpredictability via Read more…
The fact that this show even happened is a true testament to the strength and indomitable passion of its organisers. Few life experiences are as devastating as losing a friend or family member to cancer; when that happens, most of us would become too overwhelmed to function, and with good reason. Nobody would have blamed Tom Morley and the team behind Smile For Hatti (a campaign set up to support the courageous and inspiring Hatti Sandall, who sadly passed away only three days before this gig) had they rescheduled or cancelled this fundraiser – but they didn’t. For that, they deserve all the respect in the world – not to mention the sheer success of this awesome event, which raised over £2000 for Smile For Hatti (which is in the process of becoming a new charity, to which future donations will be directed) and Sarcoma UK.
As far as opening acts go, Read more…
With very few exceptions, Christmas music is terrible. Fortunately, the Boileroom team have good taste in tunes – and so this show was the perfect antidote to the overwrought saccharine pap that’s been unavoidable for the past few months. Read more…
Hacktivist defy categorisation. Their music is a mix of djent’s brutality and hip-hop’s flamboyance – but it’s impossible to merge those two genre labels without generating results that are…well…pretty shit. ‘Hip-djent’ reads like something you’d spot in an out of touch news rag whose contributors only feel truly comfortable with shameless fearmongering and casual racism, while ‘djent-hop’ sounds like a dance move guaranteed to alienate all but the most loyal friends. Read more…
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On the walk from Waterloo station to Camden, I passed at least three busking beatboxers. The faces were different, but the acts were the same – a combination of robot impressions, oppressively generic beats, and faithful and flawless impressions of a variety of non-percussive instruments. By the time KOKO’s dramatic facade came into view, the novelty of solo beatboxing had more than worn off; London was beginning to feel saturated by Beardyman wannabes. Read more…
Some shows are born special. Although I’m relatively new to The Hell, I’ve already become hopelessly addicted to their latest album (reviewed here) – so nothing short of a bad case of death was going to stop this show (the first of The Hell’s A Shitemare Before Christmas tour) from getting featured on TMMP. Read more…
Sofar Sounds are the most fascinating live music promoters you’ve never heard of. A global collective of music fans, Sofar tap into humanity’s need for community, connection, and intimacy by hosting secret small-scale shows showcasing the talents of a diverse range of artists. This evening’s event took place in an endearingly arty Brighton basement – an appropriate location for what was to come. Read more…