Meghann Wright – ‘Meghann Wright’ [Review]
Meghann Wright’s Twitter bio describes her work as “sad bastard music” – and it certainly Read more…
Tusks – ‘Ink EP’ [Review]
Sometimes, an EP is so good that you can’t quite get your head around it. So Read more…
Speaker Face feat. Rachel Sermanni – ‘Vertical’ [Review]
I’ve never heard anything quite like this.
The automatic response to the unfamiliar is often to find a quick way to dismiss it, to chuck it in the metal box labelled Read more…
Eliza Doolittle & THOS / Bat and Ball / Tweed & Hyenas / Tusks [Live Review – The Boileroom, Guildford, 9/1/15]
The fact that this show even happened is a true testament to the strength and indomitable passion of its organisers. Few life experiences are as devastating as losing a friend or family member to cancer; when that happens, most of us would become too overwhelmed to function, and with good reason. Nobody would have blamed Tom Morley and the team behind Smile For Hatti (a campaign set up to support the courageous and inspiring Hatti Sandall, who sadly passed away only three days before this gig) had they rescheduled or cancelled this fundraiser – but they didn’t. For that, they deserve all the respect in the world – not to mention the sheer success of this awesome event, which raised over £2000 for Smile For Hatti (which is in the process of becoming a new charity, to which future donations will be directed) and Sarcoma UK.
As far as opening acts go, Read more…
Cherae Leri – ‘Mirage’ [Review]
Although I’m not exactly a pop fan (see here for proof), every now and then a track pops up with exactly the right vibe and vocal to pique my interest. Thanks to the likes of Submotion Orchestra, Luciana Caporaso, and Princess Slayer, that may well start happening more and more often in 2015 – starting with Cherae Leri’s deep, slow, and exotically hypnotic blend of R&B, pop, and modern soul. Read more…
TMMP’s Top Albums Of 2014
The “death of the album” has been declared many times in recent years – but nonetheless, musicians keep making them and are showing no signs of stopping (and thank God for that!). Almost a decade and a half into the twenty-first century, there still exist bands and artists capable of composing immersive, engaging, and fully satisfying collections of songs that stand up to repeated, unshuffled listens. Here are fifteen of them. Read more…
Half Crown / Hatton Manor / Jack Williams [Live Review – Sofar Sounds, Brighton, 26/11/14]
Sofar Sounds are the most fascinating live music promoters you’ve never heard of. A global collective of music fans, Sofar tap into humanity’s need for community, connection, and intimacy by hosting secret small-scale shows showcasing the talents of a diverse range of artists. This evening’s event took place in an endearingly arty Brighton basement – an appropriate location for what was to come. Read more…
Sticky Fingers – ‘Just For You’ [Review]
Things have been pretty heavy on TMMP of late, and the weekend’s just around the corner. Enter Australian exports Sticky Fingers and their soaring, gritty party-rock anthem, Just For You. Sod winter’s freezing creep – close your eyes and be transported straight back to your favourite sun-drenched festival field. Read more…
Beardyman – ‘Distractions’ [Review]
In an age of instant gratification, where everyone wants everything yesterday, dropping a sophomore album over three and a half years after your debut can be an anxiety-provoking event. It can be argued that music fans are more fickle than ever, easily susceptible as we all are to distraction and immediate amnesia – and under such conditions, almost any musician could reasonably expect the world to have moved on over the course of 42 minutes, let alone months. However, Beardyman is no standard-issue artist. Read more…
Submotion Orchestra – ‘Trust/Lust / Swan Song’ [Review]
Off-kilter electronica, bottomless grooves, elegantly plaintive vocals, soul-based yet uniquely emotive vibes – Trust/Lust is a prime Submotion Orchestra cut backed up by the sparsely luscious Swan Song. Together, these tracks combine to form a perfect teaser package that drops on November 17th, one week ahead of third Submotion Orchestra LP Alium. Read more…