Sean Ashe – ‘Flux’ [Review]

Sean Ashe - Flux

If you love getting lost in oceans of warm, seductive notes, Flux should be top of your 2016 wish list. Sean Ashe is a sublime guitarist, and with this collection of gorgeous instrumental tunes, he hits the sweetest of sweet spots.

A sense of pure, unadulterated joy permeates opener Imagine (deep-pocketed grooves, sensual tones, a graceful piano solo) and Memory Lane, the latter of which skips playfully from slinky licks to what sounds like Read more…

Posted on 03 January 2016

Intervals [Interview]

Intervals

Welcome to 2016! With a new year stretching off into the distance, I talked to Intervals mastermind Aaron Marshall about the story behind The Shape Of Colour – a release crammed with instrumental guitar-driven excellence that ranks as one of my favourite albums of 2015

You’ve really had to fight to make The Shape Of Colour a reality. Could you please explain the story behind Intervals’ latest evolutionary shift?

I’m not sure I would say it was a fight as much as it was a test of my will.

Essentially, Intervals began as sort of an accident. I had one song for whatever my next project would be (at the time) and a good friend of mine insisted to shoot a “play through” video of the tune. I had no real intention of releasing it, but he convinced me that I needed to put it on the Internet.

Without being too long-winded, everything sort of snowballed Read more…

Posted on 02 January 2016

Yossi Sassi [Interview]

Yossi Sassi

yossi sassi eu tour 2015If rock-oriented instrumental guitar is your thing, Yossi Sassi is a name you need to know. In this interview, TMMP talks with the man himself about his upcoming EU tour, the bouzoukitara (Sassi’s unique signature instrument), creativity, spirituality, and more…

You’re set to tour Europe this December. How’re you feeling about it?

We can’t wait to share the Desert Butterflies show with our European followers! The set list is promised to be diverse and rich, spanning both solo albums, as well as some past materials and surprise songs, past and future.

What’s your earliest musical memory?

Age 1.5 or so. I recall my father singing in his underwear in the living room!

Seriously, I was surrounded by music all my life. My grandfather was born in Thessaloniki, Greece, and played the oud, and was teaching music to his 10 children. I absorbed it from childhood.

I first played the flute around age seven, then sang in school choir. Then came the guitar, and it was right on the spot. The right instrument. It changed my life ever since.

You have a signature instrument – the bouzoukitara. How did that instrument come to be?

For years I’ve been playing over 17 different instruments, yet composing mainly on bouzouki, acoustic guitar, and electric guitar.

In 2011 I composed a couple of songs for ‘Melting Clocks’ that demanded me to move between those instruments when playing live. I decided to plan an instrument, seeking an efficient way to switch between the acoustic Greek bouzouki to the electric guitar.

The “bouzoukitara” is a unique instrument that combines a traditional acoustic bouzouki with an electric solid-body guitar, and acoustic guitar. Together with luthier Benjamin Millar, I was able to Read more…

Posted on 12 October 2015

Chon – ‘Grow’ [Review]

CHON

My face seems to think it’s Halloween, because I can’t stop grinning like a carved-up pumpkin after hearing this album.

CHON are a truly unique band capable of blending Disney-cute melodies with hard-driving hypersyncopated grooves (as on Grow opener Book, featuring Animals As Leaders drummist Matt Garstka) and intimidating time signature changes (second track But, again pinned down by AAL’s animalistic skin-beater). Add in sparkly fusion chords, polished-but-not-clinical production, and sublime vocals (entering on Can’t Wait) and…damn. If you’ve not been scared off by the six-letter F-word, this is your dream come true.

Highlights? How about every single moment? This may sound hyperbolic, but fuck it – it’s true. Grow has been Read more…

Posted on 09 September 2015

2000 Trees 2015 [Festival Review]

2000 Trees

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Few things in life feel as good as immersing yourself in something you love. Diving deep into awesomeness, allowing the world’s worries to slip away, replacing baggage with better things. Escaping.

Of all the modern world’s escape hatches, music remains one of the most enigmatic and rewarding options. However, everyday life offers few opportunities for extended periods of musical immersion. You can walk down the street under headphones, spend a lazy Sunday in the company of your sound system with the curtains drawn, or spend an evening at a top-class venue taking in a few bands – but for many music fanatics, such experiences still don’t go deep enough.

2000 Trees certainly does. Situated on an out-of-the-way Gloucestershire farm in a 3G-free dead zone, the Trees site is an ideal location for digital disconnection, and reconnection with simpler things. The feeling of sun on your face, wind on your skin, and pure live music vibrating every cell in your body.

Arcane Roots’ (95%) set was the perfect reward for an Read more…

Posted on 15 July 2015

Black Peaks [Interview]

black peaks glass built castles

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As one of the UK rock scene’s most hotly-hyped bands of right now, Black Peaks are a band you’ve probably at least heard of, and definitely need to hear. Talked up with huge enthusiasm by Jamie Lenman during a recent TMMP interview, behind the praise and acclaim Black Peaks are more than a mere “hype band”. On record and onstage, Black Peaks have Read more…

Posted on 05 March 2015

Plini – ‘The End Of Everything’ [Review]

plini the end of everything

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Instrumental guitar EPs shouldn’t sound like this. They should be awful, self-indulgent shitfests full of pointless musical masturbation. They definitely should not be beautiful, glorious, or epic.

On The End of Everything, Plini has done everything wrong.

Take the drums, for instance. They should be Read more…

Posted on 04 March 2015

Yossi Sassi – ‘Desert Butterflies’ [Review]

yossi sassi desert butterfliesIn an endless ocean of heavy-shredding soundalikes, instrumental rock guitarist Yossi Sassi stands out a mile. Fusing impressive compositional skills with masterful technique and no small amount of hard-earned feel, Sassi quickly dives into subtle time signature changes on the mellifluous Marty Friedman collaboration Orient Sun before Read more…

Posted on 10 February 2015

Black Peaks – ‘Glass Built Castles’ [Review]

black peaks glass built castles

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Genres and scenes can be separated into three groups: those who lead, those who follow, and Read more…

Posted on 03 February 2015

Almeida / Atiptoe / Parachute For Gordo / Throatpunch City [Live Review – The Boileroom, Guildford, 27/1/15]

boileroom label shocase almeidaFuck Suzuki. Their cars are crap. My formerly faithful four-wheeler failed at completing a function even more basic than going forwards, and refused to even start. While Throatpunch City were getting through their set, I was pretty much doing this:

One train journey later, and Parachute For Gordo were, as always, goddamn incredible. Few instrumental post-rock bands infuse their music with Read more…

Posted on 28 January 2015

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