Ezio / Cardboard Carousel [Live Review – The Boileroom, Guildford, 11/10/14]
Although I was gutted at missing most of Cardboard Carousel‘s earlier-than-planned set, what I did catch was as wonderful as I’d anticipated. Cardboard Carousel are an incredibly talented husband-and-wife team whose precisely attuned vocals give their carefully-worded tunes the depth they deserve.
I was probably the only audience member who was completely new to Ezio (whose name my spellchecker wants to change to ‘Wazoo’), and it was cool to see a pair of artists receive so much enthusiastic appreciation. Whether bouncing between acoustic-based genres – taking in rock, folk, blues, country, flamenco, and gypsy jazz – or prefacing an encore with an in-depth discussion of the walk of shame, Ezio were consummate showmen and instrumentalists. Along the way were laughs, melancholic moments, and more than enough lilting serenity to ease my post-Marmozets bangover. Read more…
Variety is the spice of life – and Demob Happy are living, breathing proof of that fact. Press-ganging almost every grunge-related rock subgenre into a wickedly unpredictable set, Demob Happy spread buckets of good cheer and solid rock riffs around the Boileroom’s main room. If you fancy the musical equivalent of an early Christmas, look no further than the links below. 
Somewhere in the labyrinthine depths of the Scala, Allusondrugs got this Friday night off to a raucously grungy start. Stir remained as shiver-inducing as ever, while the Reuben-esque Am I Weird? elicited laughter followed by hectic headbanging. Throughout this short but perfectly formed set, Allusondrugs shone through the dirt like a five-piece Nirvana, with jagged guitars rending the air before climaxing amid a frontman-versus-guitarist wrestling match. 
This EP is aptly titled. If you’re feeling starved of intense and immense prog-fusion brilliance, then you should do two things: Read more TMMP, and check out CHON. They’ll seduce you effortlessly with opening acoustic-centric track Super Potion, and leave you wondering what the fuck just happened by the time Knot is finished. Not bad for just two tunes. 
Kyshera’s new album may be delayed until March 16th, but on this evidence it’ll be worth the wait. Although Kyshera really shine live, their tracks are more than enough to tide fans old and new over until their next face-to-face fix. Inertia is grim, gritty, and custom-designed to weld itself into your memory banks; a must-hear for fans of bands able to summon the gutsy and authentic attitude of classic alt-metal at will. 
Although I’m a huge fan of Project RnL, and TMMP is all about negating musical boundaries, my first reaction to Expiration Date was something along the lines of “Just what the hell is this?!” 
Although Bypolar and In Tyler We Trust gave decent showings and played their hearts out, this show was definitively all about Reeves Gabrels & His Imaginary Friends. Bypolar have improved significantly since their support slot under DZ Deathrays, and In Tyler We Trust offered a ton of hard-rocking energy twinned with the occasional flamboyant display – but it was clear from each support’s tentative and uncertain experimentations that both acts are still testing the water and building their confidence. Reeves and his über-solid band, on the other hand, are old pros at this sort of thing – and, as you’d expect, it really showed here. 
Now this was a real rock show. TMMP favourites In Dynamics got things off to a wicked start, performing flawlessly to an already-rammed Boileroom and running through epic tunes old and new. Immense alt-rock crackers like Waking Life and personal favourite The House sound extra fierce live, while In Dynamics’ freshest songs hint at a slightly heavier djent-influenced direction spiced up with even more delicate clean sections. In Dynamics are slowly carving out their own niche somewhere between Biffy Clyro and Arcane Roots, showing promise, progress, and some real reasons to get excited about their future. 
One of the Dub Pistols’ most popular tracks is called Mucky Weekend – and the crowd at this show were definitely eager for one, despite it only being a Thursday night. Fair play. 
When it comes to math-rock, ‘control’ is a key word. When odd time signatures, super-syncopated riffs, and all manner of other rhythmic tricks come into play, the results inevitably become difficult to suss out. In other words, the music feels unpredictable. Hyperactively labyrinthine. Out of control.