Bare Jams – ‘Beautys EP’ [Review]

In the depths of a freezing winter, even the smallest fragment of sunshine can be refreshing. With their new EP ‘Beautys’, Guildford-based acoustic duo Bare Jams offer a full day’s worth of shining light and upbeat vibes – and all listening ears are better off for it. Opening track ‘Good Times Roll’ is a fat slab of nicely orchestrated and funky acoustic pop that shifts gears into reggae for some satisfying variation; ‘Carry On’ is a backbeat-heavy tune made to make heads bob and necks relax; ‘Chase The Sun’ positions Bare Jams in direct opposition to the face-to-screen iPhone obsessed lifestyle so ubiquitous in modern British culture; and closer ‘Going Up’ features earthy acoustics and lyrics offering a level-headed take on youthfulness and the inexorable forces of aging. Read more…

A common accusation levelled at those whose core beliefs revolve around science and humans is that they are little more than logic-driven robot people, cold and emotionless, utterly devoid of the ability to feel ‘real feelings’. Their favourite music is assumed to consist of late-Seventies robot pop (Kraftwerk / The Normal / Giorgio Moroder / etc.) and the various electronic music styles birthed since that era, while their favourite activities are presumed to be a) watching Richard Dawkins and Christopher Hitchens videos on YouTube, and b) arguing with Creationists and Christians in the comments.
Deep in my iTunes library sits a humble two-track EP by a long-dead band called Strobe 45. That band, when it was around, was completely insane. It was common for their detractors to dismiss them as either being unable to play or sounding so bad that it made no difference – but the truth was, Strobe just didn’t give a fuck. That singular quality made them a quality band. Once you were accustomed to their raw-as-a-Dirty-Sanchez-episode noise, tiny sparks of genius made themselves permanently known, enabling you to listen to something most would deem unlistenable not just out of some misguided musical masochism but rather out of genuine, ecstatic appreciation.
Gutterfly is a man of few words, and many notes. So I’ll keep this short, and let you get stuck into the streamable tracks below.
Sometimes a little research goes a long way. I first discovered Key Of The Moment while researching
Well, fuck me. These kids are pretty angry! Hardcore prog-punk’s been a fairly trendy genre since the rock world wised up to the genius of The Dillinger Escape Plan, and few bands following in Dillinger’s wake have made a serious, crystal-clear-obvious effort to escape their heroes’ back-flipping, ceiling-walking, onstage-shit-flinging shadow. But on Tell-Tale Hearts Now, Voyager do precisely that.
Time and patience are beautiful things. Without time, you’re screwed: You’ll wind up late for everything, faced with angry people at every turn, and you won’t get anything done. Without patience, you won’t use the time you do have effectively, squandering it instead on the pursuit of instant gratification and doing nothing of any lasting usefulness.
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