I’m not sure if it’s too early to compare a band to Lostprophets, but I’m going to do it anyway. Until recently, that band was one of my favourite acts ever; regardless of what was cool at the time, Lostprophets were always able to blend it all into a fresh sound with a unique edge. Tigers Of Junction Street do much the same thing – and it’s completely won me over. Read more…
A really enjoyable acoustic-driven set showcasing plenty of great and engaging songs. Peaceful, serene, lush, and spacious new tunes hinted at serious future promise. Overall, a great start to the night. Read more…
When the opening band kicks off with a riff that transports you back to the glory days of alt-metal, you know it’s going to be a good night. Read more…
This is really interesting. A true musical melting pot that barely contains a brew of pop, rock, and punk spiced up with plenty of brilliant musicianship and real songwriting nous, Futures is intense, solid, and gloriously beautiful. Super cool, and an unmistakable sign of greater things still to come. Read more…
If I’d recorded my reaction to this album’s opening bars, it’d be viral on YouTube by now. You have to ask: How does this guy do it? Most drummers would struggle with that very first high-speed drum flourish, let alone everything that follows. Let’s get stuck in.
Cheap As Fuck And Awesome As Hell sounds like Jeff Beck at his finest. The guitar is brutally tortured, notes squeezed to within an inch of their lives, there’s a super-cool keyboard line and some immense effects, and it all adds up to a fusion tour-de-force that, you’d assume, was created by a group of virtuosi working in collaborative harmony.
Only…it isn’t. On EEPS, Marco Minnemann plays everything. Everything. Vinnie Colaiuta may well be known as “The Alien”, but maybe it’s time that nickname jumped ship. Read more…
When I last reviewed twothirtytwo, I wasn’t too impressed. But on this four-track extended player, things are very very different indeed. Gone are the awful drum sounds, below-par production and scrappy guitar tones; this is a complete 180-degree turn from what came before. Read more…
When I discovered this band, they were opening a show at The Boileroom. Judging by that set and this seven-tracker, it won’t be long before you’ll spot them playing much higher up the list. Read more…
There are three kinds of bands: Those who sound good on record, those who sound good live, and those who do both. Ideally, every band would fit the third mould – but even if that were the case, Black Peaks would still stand out by a dozen country miles. Read more…