Shrine / Throne / LYGER [Live Review – Electrowerkz, London, 7/8/14]

shrine electrowerkzMaking the jump from the practice room to the stage can be a worrying proposition, more of a leap of faith than anything else. Onstage, you’re not only relying on your own skills, or even those of your bandmates; you’re also putting the success of your show in the metaphorical hands of the venue and its equipment.

Last night, technical issues came close to ruining it for everyone – but the following bands still got the job done, and deserve your time and respect simply for getting through this show with their sanity intact: Read more…

Posted on 09 August 2014

RedTower [Live Review – ACM, Guildford, 7/8/14]

Screen shot 2014-08-08 at 11.07.04Here’s how to spot a professional band:

1) They throw themselves into their performance from note one, needing next to no time to get into it.

2) They make you want to move the moment they start playing. Your body tells you that you’re in the presence of greatness before your brain does.

3) Their playing is airtight, every instrument blending together flawlessly – and what’s more, it all looks effortless.

4) Their songs are performed with such passion and intensity that you cannot look away.

5) They actively communicate with each other onstage. Nobody is shut away in their own little bubble.

6) The band in question put in the effort regardless of audience size, venue, or time of day.

Even if I’d never heard of RedTower, Natassja Saliba, Rob Chapman, Rabea Massaad, Ben Minal, or Dave Hollingworth (the latter of whom were taking a break from recording Dorje’s debut album to session here), I’d have been in no doubt as to their calibre from the moment this low-key late afternoon showcase started. Read more…

Posted on 08 August 2014

Seven7 – ‘Follower’ [Review]

TheFollowerAlbumCoverFew bands mark their territory as clearly as Seven7 do. Fusing brutal intensity with seductively exotic scales and topping it all off with harsh, unyielding vocals while channelling and challenging the likes of Dream Theater and Alter Bridge, these guys are nothing if not ambitious. Read more…

Posted on 03 August 2014

Boy Hits Car – ‘All That Led Us Here’ [Review]

boy hits car all that led us hereUKIP. The BNP (and Nazi-aping BNP Youth). Xenophobia. Racism. Sexism. Homophobia. Hatred, apathy, and immersion in a parallel hyperreality that connects us digitally while disconnecting us physically from each other and the natural world.

Boy Hits Car stand in plain-spoken opposition to all of the above. Read more…

Posted on 28 July 2014

Tigers Of Junction Street – ‘Tigers Of Junction Street’ [Review]

tigers of junction streetI’m not sure if it’s too early to compare a band to Lostprophets, but I’m going to do it anyway. Until recently, that band was one of my favourite acts ever; regardless of what was cool at the time, Lostprophets were always able to blend it all into a fresh sound with a unique edge. Tigers Of Junction Street do much the same thing – and it’s completely won me over. Read more…

Posted on 26 July 2014

Black Peaks – ‘Closer To The Sun’ [Review]

black peaks closer to the sun

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There are three kinds of bands: Those who sound good on record, those who sound good live, and those who do both. Ideally, every band would fit the third mould – but even if that were the case, Black Peaks would still stand out by a dozen country miles. Read more…

Posted on 13 July 2014

Black Dogs / BEAR / Employed To Serve / Victorian Whore Dogs [Live Review – The Boileroom, Guildford, 7/7/14]

black dogs boileroomNothing gets you in the mood for a metal gig quite as effectively as car trouble. When reviewing gigs, you want to be like Mel Gibson’s character in We Were Soldiers – first to enter, and last to leave. For this show, I was not that.

Unfortunately I missed Victorian Whore Dogs (what a name!) and Employed To Serve entirely. Shit. Send any complaints for this omission to ibreakcarssomusicwriterscantgettogigsontime@shittymechanics.com, and be sure to check out VWD and ETS via the list of links below.

BEAR

I caught BEAR’s final three songs – and they were absolutely amazing. BEAR are a djent-ridden Belgian Dillinger Escape Plan intent on making sure their instruments barely survive the equipment-wrecking end of their set, and they’re heavier than trying to read A Brief History Of Time after staying awake for 72 hours. Read more…

Posted on 08 July 2014

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