Parachute For Gordo – ‘Decoy Octopus’ [Review]
Parachute For Gordo are nothing if not inventive – and this video serves only to carve that statement in stone and shine a crystal-clear spotlight upon it. Fittingly quirky, unusual, and strangely attractive, Decoy Octopus is a must-watch for anyone willing to push some boundaries and indulge their arty side. Read more…

Absorbing rather than alienating, feel-filled instead of soul drainingly self-indulgent, and valuing honesty over obfuscation and pretentiousness: Artery is the kind of album you’ll be listening to until you’re old and grey if you afford it the time to sink beneath your skin.
Progressive music should live up to its name. In other words, it should progress and look forward rather than lazily gazing backward into retro-ville. With that in mind, it’s great to hear Falsense getting it right once again.
As an atheist, I don’t believe in hell – but if I were to wind up in said fiery pit, at least there would be good music there. Pale Communion is a perfect example, more than enough to take your mind off the threat of lava enemas
Interviews are fast becoming my favourite part of the TMMP-maintaining routine. You start off with a list of questions, but from that point it’s impossible to know what will come out. This time around, prog legend and all-round class act Tony Levin discusses his new album with brother Pete (appropriately titled Levin Brothers and
I’ve previously described Falsense as “A fucking genius” – and trust me when I tell you, that is the truth. A man of many musical talents and a beyond-driven, ultra-inspired creative and super-nice guy in general, Falsense not only knows his shit, but also knows how to improve with every move he makes. It was a real honour to discuss inspiration, passion, productivity, and more with Falsense via email – and here are the results:
A combination of Dream Theater folk-prog vibes and some Biffy Clyro-esque harmonies, all kicked off with some Imogen Heap atmospherics and John Mayer-style acoustic pop mastery. That’s one way to describe this track – but it would be far more accurate to describe it as something uniquely and distinctively Into Color.
Israeli prog group Anakdota have already earnt TMMP’s respect through intense previous releases The Girl Next Door and Late – and on this, their latest offering, Anakdota take a slightly more laid-back and relaxed approach.
Making the jump from the practice room to the stage can be a worrying proposition, more of a leap of faith than anything else. Onstage, you’re not only relying on your own skills, or even those of your bandmates; you’re also putting the success of your show in the metaphorical hands of the venue and its equipment.