Kevin Nolan – ‘Fredrick & The Golden Dawn’ [Review]

_Fredrick & The Golden Dawn_ album coverWhen I watched Thomas Truax and Bob Log III turn the Boileroom inside out, I remember trying to think of a third artist who could fit perfectly – seamlessly, even – alongside said masters of sheer weirdness.

As of now, I have found that third artist – and his name is Kevin Nolan. Read more…

Posted on 10 June 2014

Fine Fine Titans – ‘Ellipsis’ [Review]

fine fine titansWhen checking out a female-fronted band, it can often be hard to focus on the music. Frankly, in such situations it’s common for everything except the vocalist’s makeup to suck horrifically. After all, it’s a sad (if unsurprising) fact that sex appeal sells – and many acts aren’t above milking said time-honoured marketing ploy until it’s dry, shrivelled, and flaccid.

Thank god, then, that Fine Fine Titans are above that bullshit. Read more…

Posted on 08 June 2014

Maxi Curnow – ‘STEM’ [Review]

maxi curnow stemPrepare to have your brain broken.

Maxi Curnow is, I suspect, not really human. As a guitarist, he’s capable of channeling Guthrie Govan, Alex Machacek, and Steve Vai; as a vocalist, Curnow can give any leading tech-metal frontman a run for his money. Calling Maxi Curnow “talented” just doesn’t work. The only option here is to go nuclear and pull out “virtuoso” instead. It may be an overused phrase these days, but it has to be said: Maxi Curnow is a virtuoso. Full stop. Read more…

Posted on 27 May 2014

Palm Reader / Flesh Trench / Yearbook / We Never Learned To Live / Eschar [Live Review – The Boileroom, Guildford, 24/5/14]

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Genrebomb and the Boileroom are always a great combination if you’re looking for an epic night out. Throw in local promoters GU1 PUNX, and you’ve got something really special; an eclectic evening of varied and exciting bands. Read more…

Posted on 25 May 2014

Nanaki – ‘Afterlight’ [Review]

nanakiIn a world so dominated by and dependent upon the Internet, Afterlight‘s opening tune Antisocial Media is a uniquely intriguing musical statement. Its followers are no less effective: Vocal-free and well produced, each track manages to capture the thoughts, ideas and insights associated with its respective title while working as a downbeat but welcoming piece of music. Read more…

Posted on 19 May 2014

Alon Tamir – ‘I Was Mad, Now I’m Sorry’ (Feat. Yogev Gabay) [Review]

Imagine where we’d be without experiments. Without theories, tests, trials and errors. Without curiosity and creativity. The world would be a dull place indeed. Just imagine how many scientific discoveries and artistic “eureka!” moments would have been missed.

Now listen to this track. Thanks to the efforts of creative people the world over, we get to have experiences like this. How awesome is that?! Read more…

Posted on 11 May 2014

Princess Slayer / ERIKA / Natalie Ross / Stella [Live Review – The Boileroom, Guildford, 8/5/14]

girls of guildfordWhen I first saw that poster, my first thought was that this show would turn out to be a serious sausage party, full of hot-under-the-collar guys who’d assumed that an evening spent being entertained by women would entail something very different. I was relieved to arrive at the Boileroom and find that I was wrong; like the performers, last night’s crowd was stylish, socially competent, and clearly excited to be in the presence of the following: Read more…

Posted on 09 May 2014

Falsense – ‘One Tonne Skeleton’ [Review]

falsense one tonneThe secret to effective writing is to omit unnecessary words. So the words that follow are the only ones you need to read.

Falsense is a fucking genius. Read more…

Posted on 04 May 2014

Bob Log III / Thomas Truax [Live Review – The Boileroom, Guildford, 1/5/14]

bob log IIIAlthough it’s great that alternative culture exists, you have to ask how much it differs from the mainstream sometimes.

Standard-model society promotes segregation on increasingly arbitrary lines (watch an episode of Come Dine With Me for evidence) and “alternative” subcultures do much the same thing – think rock and metal subgenres and the constant bickering between them all. Infighting is frequently justified on the basis of appearance (“just look at him!“) by both mainstream and alternative groups. Competitive snobbery thrives in both worlds, based as they are on stereotypical male values – and yes, despite some progress both the mainstream and alternative worlds are still male-dominated. For instance, “alt girls” have been relegated to the status of fetishised objects featured in magazines that copy the topless-babes-and-articles-which-their-readers-will-say-are-the-real-reason-they-buy-the-magazine-in-the-first-place-but-for-some-reason-nobody-ever-seems-to-believe-them model adopted by their equally standardised shelfmates. For more evidence of objectification, go see a heavy female-fronted band play live, and pay attention to how the men in the audience behave. And the online side of things is, naturally, not much different. Overall, it can be argued that “alt” culture is definable today as “more or less the same as the mainstream at a fundamental level, only with different haircuts, a different soundtrack, different clothes, and more imaginative and visible tattoos”.

So let’s say we want to find something that really deserves to be called “alternative”. Where could we start? Read more…

Posted on 03 May 2014

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