A Plastic Rose – ‘Autumn Eases You Into The Dark’ [Review]
Heart, hair, swagger, and balls. Autumn Eases You Into The Dark has all these things in abundance.
Especially the balls. Read more…
A Plastic Rose / In Dynamics / The Cottonettes [Live Review – The Boileroom, Guildford, 1/6/14]
The Cottonettes
After a long, very tiring day, I needed a proper full-on rock pick-me-up with a little bit of complexity. The Cottonettes delivered on that first count with a ton of punk rock energy. A little too straight ahead for my liking, but you have to admire their passion; not to mention a knack for some really solid punk songwriting. If punk is your thing, The Cottonettes will tick all your boxes, and you must click their social media link ( provided in the list below) immediately.
In Dynamics
These guys really did it for me. As a longtime Biffy Clyro fan, it’s really heartwarming to hear their influence coming through via the music of a new generation of musicians. The world needs more music that lies a little to the left of centre, and Biffy and their devotees deliver precisely that.
When a band’s first notes gently lull you into a false sense of security before brutally punching you full on in the ear-guts, you know a stellar set is going to follow. If I’m being totally honest, when In Dynamics really got going my inner Cynical Critic Copycat Alarm was triggered for a song or two, but it wasn’t long before the sheet weight of their sound, passion, and confidence – not to mention their tunes – won me over.
It’s official – I am now a fan of In Dynamics. Nicely done, guys!
A Plastic Rose
This set was great fun to witness. A Plastic Rose really know how to relax in front of a crowd and work around the silliest technical difficulties (too-high mic stands, for instance) without getting flustered. A Plastic Rose just seem at home onstage – the mark of a well-experienced band who are going to be doing very big things in the future.
Musically, there’s plenty of grungy riffage with hints of Feeder, Biffy Clyro, and the kind of pissed-off punk energy that harkens back to the roots of modern rock as we presently know it. A Plastic Rose know their history, taking influence from a range of eras – but there’s something about the way they mix it all together that marks them out as something just different enough to really pique our interest.
Although I’d heard of A Plastic Rose prior to this show, I’d never heard them on record. This set was more than enough to make me kick myself for my complacence and rectify that sacrilege ASAP. All the self-kicking meant I had to hop home, but hey – learning from your mistakes is the best kind of learning.
Maxi Curnow – ‘STEM’ [Review]
Prepare to have your brain broken.
Maxi Curnow is, I suspect, not really human. As a guitarist, he’s capable of channeling Guthrie Govan, Alex Machacek, and Steve Vai; as a vocalist, Curnow can give any leading tech-metal frontman a run for his money. Calling Maxi Curnow “talented” just doesn’t work. The only option here is to go nuclear and pull out “virtuoso” instead. It may be an overused phrase these days, but it has to be said: Maxi Curnow is a virtuoso. Full stop. Read more…
Hool-A-Palooza 2014 [Festival Review – The Boileroom, Guildford, 25/5/14]
Hool-a-Palooza is a punk festival crammed with bands whose speciality is keeping things short and to the point. So, in that spirit, we’ll do the same here. Read more…
Palm Reader / Flesh Trench / Yearbook / We Never Learned To Live / Eschar [Live Review – The Boileroom, Guildford, 24/5/14]
Genrebomb and the Boileroom are always a great combination if you’re looking for an epic night out. Throw in local promoters GU1 PUNX, and you’ve got something really special; an eclectic evening of varied and exciting bands. Read more…
ERIKA – ‘Onna-Bugeisha’ [Review]
Turning a first name into a brand name can be a risky proposition. On the one hand, it’s great for solo artists as it’s more personal than hiding behind a pseudonym – but on the other, it makes it very difficult for people to search for you online. There are many Erikas in the world – especially on Spotify, where you can find Erikas playing everything from acoustic folk standards to dark, brooding electronica, lounge jazz, and even six albums worth of accordion music. Google “Erika music” and the top hits are for a dermatology consultant (Dr Erika N. Music – I kid you not), a YouTube video featuring Nazi military music, and a list of still more artists named Erika who are, annoyingly, not the ERIKA (full caps) that we’re looking for. Read more…
Rouge – ‘Edge of the Bed EP’ [Review]
Scrappy. Rough around the edges. Grooves like a hard-rocking, JD-fuelled badass. Opening track Edge of the Bed is (and/or does) all of these things. Strike takes a more laid-back approach, grinding slinky soul and unforgiving backbeats into fine powder and exhaling it into a thick cloud of cigar smoke. Even my laptop’s on-the-hour spoken time updates want in on the action, dropping in in perfect time as if this digital stream were pressing a knife made of ones and zeroes into Apple-branded circuitry. Read more…
Nanaki – ‘Afterlight’ [Review]
In a world so dominated by and dependent upon the Internet, Afterlight‘s opening tune Antisocial Media is a uniquely intriguing musical statement. Its followers are no less effective: Vocal-free and well produced, each track manages to capture the thoughts, ideas and insights associated with its respective title while working as a downbeat but welcoming piece of music. Read more…
Dirty Loops – ‘Loopified’ [Review]
Although YouTube is home to a vast number of musicians of note, few bands have demonstrated YouTube’s marketing power as efficiently as Dirty Loops. A Swedish power trio whose fusion-flavoured take on Lady Gaga’s mega-hit Just Dance catapulted them into the online eye, Dirty Loops’ YouTube channel has attracted over 100,000 subscribers and 15.5m views while being home to just ten videos. Not bad for a group known as much for their collective technical abilities as their song-related skills.
Make no mistake – Dirty Loops are a musician’s band. Every track on Loopified is a compositional and technical masterclass, and no self-respecting muso is likely to run out of inspiration here. But what really sets Dirty Loops apart is their ability to appeal to a wider crowd. Read more…
Princess Slayer / ERIKA / Natalie Ross / Stella [Live Review – The Boileroom, Guildford, 8/5/14]
When I first saw that poster, my first thought was that this show would turn out to be a serious sausage party, full of hot-under-the-collar guys who’d assumed that an evening spent being entertained by women would entail something very different. I was relieved to arrive at the Boileroom and find that I was wrong; like the performers, last night’s crowd was stylish, socially competent, and clearly excited to be in the presence of the following: Read more…