Six Underground Bands To Watch In 2016 [Feature]

6 Underground Bands To Watch In 2016

With the music world gradually gearing up for a brand new year, here are six underground bands to watch in 2016:

1) Dorje.

Dorje

I’ve ranted and raved about these guys for years – and frankly, they fucking deserve it. Dorje are an industry unto themselves, topping album charts across the Internet with their latest Catalyst EP, racking up some 800,000 YouTube views for their signature song Aeromancy, and nailing one of Indiegogo’s top crowdfunding campaigns while handling everything in-house with zero label backing.

Respect is due here – and this year will see a second EP alongside much touring. By the time Dorje are done, their peers will be craning their necks to catch a glimpse of them.

2) Black Peaks.

Black Peaks

If you just can’t cram enough mind-ruining math rock into your day, Black Peaks’ latest single Saviour is a must-listen. A massively improved version of an already epic track from early EP Closer To The Sun, and a mouth-watering taste of what to expect from Black Peaks’ upcoming album StatuesSaviour will blow you away. Play loud.

3) Signals.

Signals

As with Dorje and Black Peaks, I’ve written many an evangelical word about Signals over the years. Breaking fresh ground with every note, this Southampton-based math-pop quartet are genuinely unique. Hard-earned technical skills, thoughtful musicianship, never-less-than-perfect production, and an instantly recognisable sound topped off with Ellie Price’s consistently passionate vocals all add up to an act capable of cutting the mustard like a legendary ninja.

4) Toska.

Toska

When they’re not inducing jawbreaking gurns in Dorje, guitarist Rabea Massaad, drummer Ben Minal, and bassist Dave Hollingworth can be found frying facial features as Toska. Instrumental progressive metal is the name of the game here, departing from the standard Periphery-aping clone formula employed by many of their peers in favour of a genuinely new vibe. Toska’s debut EP Ode To The Author does contain hints of Karnivool, Porcupine Tree, Tesseract, and even Incubus – but more than that, it represents the birth of a meditatively immersive New Sound.

More to come on this one – but for now, just trust me. This will be frickin’ special.

5) Hatton Manor.

Hatton Manor

Hatton Manor – aka Matt and Hannah – are in the earliest of early days right now. But they are still one of the most flat-out superior acoustic guitar-and-vocal duos I’ve ever heard. Dipping their toes into the live and festival circuits during 2015, as well as releasing their debut EP Eden, Hatton Manor are moving into a new phase full of experimentation. By turns graceful, gritty, joyful and dark, Hatton Manor know how to strap you into an emotional rollercoaster from note one. Awesome.

6) Princess Slayer.

Thoughtful EDM might seem like an oxymoron – but Princess Slayer make it work through a creative approach that blends hedonistic playfulness with ruminative sincerity. Drummer and producer Vince Welch digs up gut-rumbling grooves, cute melodies, and carefully constructed sonic strata while vocalist Casey Lim thinks out loud through an intimate and vulnerable yet confident vocal. With many collaborations and their Living EP behind them, a Princess Slayer album is rumoured to be on the way. With any luck, 2016 will be the year it surfaces – and when it does, expect something exceptional and exceptionally cool.

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Posted on 11 January 2016

Black Peaks – ‘Saviour’ [Review]

Black Peaks - Statues

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My God.

If you’re looking for the cream of the math-rock crop, you’ve found it. Black Peaks have always been fueled by ferocity, laying waste to ears and venues and festivals in the process of carving out a niche of their own. But now, they’ve hit a new…well…peak.

Saviour – the lead single from Black Peaks’ upcoming debut album Statues – sees Black Peaks employ a Read more…

Posted on 17 November 2015

VASA [Interview]

VASA Colours Banner

If super-intense instrumental math rock is your thing, you’ve either heard of VASA and love them, or have just heard of VASA and will love them in the near future.

In this interview, TMMP talks to VASA bassist John Niblock about VASA’s new album Colours and the band’s past, present, and future…

Your debut album Colours is out now. How does it feel to finally have it out there?

It’s a mix of relief and pride, I’d say. We’ve spent the last 10 months working on it and building up to it, so it was great to finally let people hear the album that we spent so much of our time on. We’re very proud of the end product and couldn’t be happier with the response it’s gotten.

What’s VASA’s origin story?

I met Blaine (Thompson, guitar) during my second year of university. We started writing together, and shortly after he brought in Scott (Coupar, guitar), who he had been friends with from their high school years. We recruited Niall (Morison MacRae, drums) last June after replacing our old drummer.

When it came to writing the tracks on Colours, what was your creative process like?

Quite a few of the tracks had been started just before Niall joined, so for most of them it was Read more…

Posted on 27 October 2015

Signals / Me And The Moon / China Bears [Live Review – The Star, Guildford, 23/10/2015]

Signals

Here’s a list of things that could stop me from seeing Signals when they’re in town:

1) Death.

That’s about it.

Since on a Friday night most punters tend to show up for the headliners and ignore the supports, said supports tend to be…shall we say…not very good. However, China Bears (75%) managed to buck that trend with a very nice, low-key, poppy indie-folk acoustic set that went over well despite falling victim to some standard-for-acoustic-sets-everywhere crowd chatter.

Me And The Moon (70%), meanwhile, were at an awkward point for any band, performing for the first time with an entirely new rhythm section who still need time to settle in. Here, they were a band of two halves – a frontwoman and guitarist working hard and successfully on their onstage confidence, meeting the gaze of every last person in the room, and a drummer and bassist who with time and experience will no doubt be doing the same sooner rather than later. Songwriting-wise, these guys were great – a work in progress with plenty of potential.

Signals (96%) have always been an immense band, in possession of a style brimming with cool subtleties. Complex but accessible, technical but still soulful, Signals’ self-label, “math-pop”, fits  Read more…

Posted on 24 October 2015

Heck – ‘The Breakers’ [Review]

HECK

If your day is getting to you, listening to The Breakers could go one of two ways:

1) Heck’s beyond-insane mathcore-or-noise-or-whatever onslaught helps you release all that tension and frustration, as you headbang your way into a blissfully ecstatic semi-transcendent state…or

2) It just gives you a headache, resulting in you taking all the painkillers and maybe weeping from the trauma.

Either way, at least some kind of Read more…

Posted on 23 October 2015

Arcane Roots – ‘Heaven & Earth EP’ [Review]

Arcane Roots

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Fancy a challenge? Then try this:

Stick this EP on, sit down, and try to remain perfectly still.

It’s fucking impossible.

Calling Arcane Roots passionate, energetic, talented, and epic is like calling the sky blue. Those labels aren’t subject to debate, but undeniable facts. Heaven & Earth sees Arcane Roots push themselves to a new level, penning some of their most accessible tunes to date while remaining unafraid to tangentially turn into raw, frenetic math-ridden riffage whenever they deem it most appropriate.

Opener If Nothing Breaks, Nothing Moves illustrates Read more…

Posted on 16 October 2015

Signals – ‘Lungs Apart’ [Review]

Signals Lungs Apart Sleep Talk Facial Furniture EP Album Paraesthesia Single Review Band UK

Take two parts Imogen Heap’s pre-solo-work project Frou Frou, and three parts Signals’ unique math-pop stylings, and you have this absolutely amazing little single.

Every time these guys come out with something new, I’m all over it for many a good reason. Signals’ ability to pen deeply complex yet accessible songs; their stellar musicianship and otherworldly chops; the Read more…

Posted on 15 October 2015

Secret Black Boyfriend – ‘This Is What Happens When Everyone Wins A Trophy’ [Review]

Secret Black Boyfriend

Secret Black Boyfriend are more than an odd name. They’re an odd band, with a hard-to-categorise sound. For most of their second album, they sound like Reuben jamming with Rage Against The Machine’s rhythm section – only to throw a massive curveball on final track Hepatinnitus, where bleak, noise-ridden math-punk is the order of the day.

This album will have you scratching your head while rocking out – so do it in public at your peril.

Opening track Baby Shooter hits hard with raw, incensed lyrics addressing domestic violence – and seventh cut High Fives Save Lives hits the same mark with one of the best riffs of the lot and words directed at Read more…

Posted on 08 October 2015

Press To MECO [Interview]

Press To MECO Camden Rocks Festival 2016

TMMP is dedicated to discovering and supporting musicians who break boundaries, beat the best expectations, and mean what they play.

Is it trendy? Is it cool and hip and in and [insert alternative buzzword here]? Who the fuck cares, honestly?

A self-conscious reluctance to experiment holds a lot of musicians back from doing something fresh, new, and vital. Now more than ever, musicians are placed under constant and unrelenting pressure to conform to the ways of the past – expected to be slaves to external demands, pleasing everyone except themselves.

The thing is, all the styles and genres that we take for granted now were alien once. Jazz is now considered quaint and archaic, as is classic rock’n’roll – but when those movements first kicked off, people had no idea what to make of it. From the perspective of those original jazzers and rock’n’rollers, we live in the future – and yet that same future is frequently soundtracked by vintage sounds.

Although there’s nothing objectively wrong with that, it’s still a little ironic that this future currently tends (and trends) toward the past, rather than looking forward and trying something new. Too many of today’s musicians have forgotten that the (metaphorical) musical melting pot even exists, neglecting it in favour of textbook, formulaic recycling.

But then, there are bands like Press To MECO. Read more…

Posted on 01 October 2015

Press To MECO – ‘Good Intent’ [Review]

Press To MECO

Tired. Old. Worn-out. Worthless.

Press To MECO’s ideas do not match any of those descriptions.

Family Ties ties together pop-punk’s signature let’s-drink-ten-Red-Bulls-and-have-a-star-jump-competition energy with hooks twisted into time-pretzels via multi-meter manipulations that are nothing short of genius. Then Diffusion Of Responsibility kicks into a fat head-bobbing riff that could spark off a circle pit at a funeral. By the time that super-tasty second track is through, we’re Read more…

Posted on 17 September 2015

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