Javier Reyes [Interview]

Javier Reyes

For lovers of fresh new sounds, restlessly creative musicians like Javier Reyes are a godsend. In addition to rewriting the metal guitar rulebook alongside Tosin Abasi in Animals As Leaders, Javier has also spent the last few years writing and releasing music through his side project, Mestis.

Mestis’ latest long-player, Polysemy (reviewed on TMMP here), was recently listed as one of my favourite albums of 2015 in this feature – and here, Javier Reyes discusses Mestis, creativity, generous fans, and the future of his pet project…

Your new album Polysemy has been out for about a month now. How’re you feeling about it?

I am pretty happy with it. I wasn’t sure what people were going to think, considering some of the parts are so mellow in comparison to material they are used to from [Animals As Leaders]. Thankfully the overall feedback has been pretty positive.

What initially inspired and motivated you to create Mestis? What’s the project’s origin story?

Mestis is a bit of my bedroom project. It started [with] me making some songs in my bedroom that I knew were stylistically different [to] Animals As Leaders, and I felt the material was strong enough to be released.

After the first EP, I didn’t really expect to write more music for Mestis, but throughout touring with Animals As Leaders people kept asking me if I was going to release more music for Mestis; so thanks to all those people who asked me, I was Read more…

Posted on 11 December 2015

TMMP’s Top Albums Of 2015 [Feature]

TMMP's Top Albums Of 2015

Joe Satriani

2015 has been a big year, soundtracked by a slew of spectacular albums. Picking an overall favourite was a pretty stressful task – and in the end, Jon Gomm’s gorgeous collection of live fan picks and what is, in my opinion, the definitive modern-day Joe Satriani album both had to go on top.

Deciding who would ultimately top the tree was made infinitely easier by putting them in alphabetical order by surname; if you put a gun to my head and demanded I choose between Jon Gomm and Joe Satriani in terms of quality, you’d just have to shoot me. They’re two sides of the same coin, Jon Gomm representing the acoustic world, Satriani the electric. Put together, these guys represent almost unparalleled guitaristic virtuosity.

In joint second place, you’ll find a whole host of alphabetised winners who would each be done a terrible injustice were they to be placed in a lower position. From legends with glittering careers spanning decades to stunning comeback albums and a fair few brand new names facing bright and hopeful futures, TMMP’s top albums of 2015 are all here.

Dive in – there’s a lot to get stuck into – and follow TMMP via Twitter for more from the world of world-class music in 2016!

1) Jon Gomm – Live In The Acoustic Asylum

1) Joe Satriani – Shockwave Supernova

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2) Read more…

Posted on 05 December 2015

Jordan Rudess – ‘The Unforgotten Path’ [Review]

jordan rudess the unforgotten path album review

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Outside his day job as Dream Theater’s resident keyboard wizard, Jordan Rudess has long been a prolific solo artist in his own right. From out-there electronica (frequently enabled by Rudess’s own range of personalized apps) to the most delicate of solo piano performances, Jordan Rudess has journeyed from the depths of tradition to the ever-expanding outer limits of musical possibility, inviting listeners along for the ride.

The results are, unsurprisingly, consistently beyond world-class. The Unforgotten Path is a collection of improvisations based on timeless melodies that Rudess has repeatedly Read more…

Posted on 17 November 2015

Janet Feder – ‘T H I S C L O S E’ [Review]

Janet Feder

Just when you thought you’d heard it all.

Before you press play on the player below, make sure you have headphones to hand. T H I S C L O S E absolutely demands it; there are too many deep-mix details that you won’t want to miss.

Janet Feder’s name is synonymous with prepared guitar, a forward-thinking style that requires a six-string to be augmented by placing assorted objects on or under its strings. Add in a fully immersive production job and exotic additional instrumentation, from plucked piano to shattering glass and thrown buckets, and you have something that sits decisively in the realm of the avant-garde.

Don’t let that hyphenated term put you off, Read more…

Posted on 15 November 2015

Intervals – ‘The Shape Of Colour’ [Review]

Intervals The Shape Of Colour

Calling Intervals’ history complicated would be a serious understatement. Aaron Marshall’s brainchild has switched from instrumental to vocal-led prog metal and back again amid multiple lineup changes. Throw in an extended struggle with Wolff-Parkinson-White Syndrome, and you have the kind of situation that pretty much anyone would find difficult to deal with.

The Shape Of Colour is the end result of Aaron Marshall’s fight to make something good out of something bad. The results are not Read more…

Posted on 14 November 2015

Mestis – ‘Polysemy’ [Review]

Mestis Polysemy

Through Mestis, Animals As Leaders guitar maestro Javier Reyes has set out to challenge himself, setting the following self-described standards:

1) “Create a style of music that focusses on being emotionally exploitive and technically sound…

2) …yet simple enough for the average music listener to appreciate…

3) …using the eight-string guitar in a form that is unconventional to the “trends” or independent of characteristics that are found in music styles/genres that have popularized it, [and]…

4) …create music that [expresses] my personality, upbringing, emotions and musical taste.”

While the results are unlikely to immediately appeal to 1D fans or your gran, Polysemy is definitely a far less cognitively overwhelming prospect than the average instrumental guitar-driven offering. What really sets it apart, though, is Javier Reyes’ ability to Read more…

Posted on 05 November 2015

The Aristocrats Talk Fistfights, Touring, And Robot Pigs [Interview]

The Aristocrats

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Right now, The Aristocrats are one of the most infamous fusion-oriented bands on the planet. If you’re a regular TMMP reader, you’re probably well aware of them by now – but if you’re new and curious, or your memory needs refreshing, click here for many a reason to become a fan.

Besides being generous with their notes, these noble gentlemen are also generous with their time. With a four-month European tour kicking off in Cologne on November 16th before winding its way across the continent, TMMP talked to The Aristocrats about fistfights, touring, coffee, and robot pigs…

You’re three of the hardest-working musicians on the planet, and you have a hectic European tour running from November until February! How do you keep yourselves gig-ready amidst such a chaotic schedule?

Bryan Beller (Bass): Lots and lots of coffee. And naps. And then more coffee.

Guthrie Govan (Guitar): I always thought that being gig-ready should actually be easier if you’re gigging constantly, and that “rust” would be more likely to kick in after taking a long break from playing.

Marco Minnemann (Drums): Comfortable travel schedule, good sleep and good food. That helps. After the show…whatever happens.

What are your pre-show rituals?

Bryan: A nap. And then coffee.

Guthrie: Finding a secret smoking area.

Marco: Reclusiveness.

What’s the most awkward onstage situation you’ve ever had to deal with?

Bryan: I once got in a fistfight with the drummer from the band going on after us. 10 people jumped in. It happened onstage and Read more…

Posted on 29 October 2015

VASA [Interview]

VASA Colours Banner

If super-intense instrumental math rock is your thing, you’ve either heard of VASA and love them, or have just heard of VASA and will love them in the near future.

In this interview, TMMP talks to VASA bassist John Niblock about VASA’s new album Colours and the band’s past, present, and future…

Your debut album Colours is out now. How does it feel to finally have it out there?

It’s a mix of relief and pride, I’d say. We’ve spent the last 10 months working on it and building up to it, so it was great to finally let people hear the album that we spent so much of our time on. We’re very proud of the end product and couldn’t be happier with the response it’s gotten.

What’s VASA’s origin story?

I met Blaine (Thompson, guitar) during my second year of university. We started writing together, and shortly after he brought in Scott (Coupar, guitar), who he had been friends with from their high school years. We recruited Niall (Morison MacRae, drums) last June after replacing our old drummer.

When it came to writing the tracks on Colours, what was your creative process like?

Quite a few of the tracks had been started just before Niall joined, so for most of them it was Read more…

Posted on 27 October 2015

Giacomo Pope – ‘Newness’ [Review]

Giacomo Pope

This seems to be the weekend for experimental electronica on TMMP. This time out, long-time favourite Giacomo Pope returns with some literally-titled Newness – a five-minute slice of ultra-chilled and wordless vibes complete with detailed layers and trademark synthesised warmth.

Giacomo Pope’s ability to make machine music breathe is a true talent. The perfect antidote to a long, stressful week. Read more…

Posted on 18 October 2015

VASA – ‘Colours’ [Review]

VASA

Prepare to enter a world of post-rock-flavoured euphoria. A weird but rewarding world populated by countless notes, rhythms, riffs, and melodies. A place where Celtic melodies merge with modern metallic intensity, where listeners are free to dance, mosh, or crane their necks to squint at skyborne melodies so vibrant you can easily visualise them.

The word “moderation” doesn’t exist in VASA’s vocabulary. Colours sees Read more…

Posted on 15 October 2015

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