Naomi Scott / Fifi Rong / Geovarn / Princess Slayer / Jungle Doctors / Bella Figura [Live Review – Under The Bridge, London, 26/2/2015]
As a music venue embedded into Stamford Bridge (the stadium called home by Chelsea F.C.), Under the Bridge was an appropriately unique venue for this unique show. An industry showcase set up by trade paper Music Week, networking hub MusicConnex, promoters ILUVLIVE, and south coast music school BIMM, it goes without saying that the high-profile nature of this show inevitably brought its own special set of performance pressures. A quality showcase set has the potential to push an act to the next level, while a duff performance can see a band crossed off “Ones To Watch” lists in the blink of an eye.
On top of the potential for mind-freezing attacks of performance anxiety, this was not Read more…


Long-time TMMP readers will remember my endless ranting about
Some tracks just leave you stunned. This is one of them. Deadly-sexy, funky, deep, and gorgeously bass-heavy, So Good is…well…
G.R.I.P. EP opening track Black Aerial swings through discomfiting moods, a journey from foreboding to relief of a sort via dehumanised urban sexiness and funky bounces laid over threatening synthetic foundations. This EP’s title track traps multiple vocals within
Incubus are one of my favourite bands of all time – and so this review is subject to a certain level of overexcited-fanboy bias. Oh well. One of my favourite things about Incubus is their willingness to challenge
I don’t normally review covers – but fuck me, this track is the perfect excuse to break the rules. Princess Slayer have been consistently bettering themselves since I first discovered them back in 2013 – and this version of La La La is still another positive step into the future for this Guildfordian EDM duo. Casey Lim’s vocal on this track is
Roy English is straight-up cool. Deep retro vibes permeate Julianne, lending it an air of nostalgia while masterfully avoiding
Bands capable of speaking out intelligently about political issues are few and far between these days. Most seem set on insisting that it’s all about the music and having a good time, rather than encouraging their audiences to educate themselves and act on issues that mean so much to so many, but are often ignored in the age of cheap flatscreens and Xbox Live.
Sometimes, an EP is so good that you can’t quite get your head around it. So