Trevor Gordon Hall – ‘Turning Ruts Into Grooves’ [Review]

trevor gordon hallAlthough this piece is aimed at creative people who are traversing the long, desolate desert of writer’s block, it’s also a great pick-me-up for anyone experiencing an awkward life period, whether it be termed a “dry patch” or a “dark night of the soul”. On Turning Ruts Into Grooves, Trevor Gordon Hall employs his virtuosic guitar talents in evoking feelings of uncertainty, ambiguity, anxiety, inertia, and the slow emergence of fresh direction and determination. Not so much a piece of music as an act of public service. Read more…

Posted on 20 November 2014

Jon Gomm – ‘Dance Of The Last Rhino’ [Review]

jon-gomm rhinoOpening with a scratchy guitar body groove and winding its way through percussive harmonics, slinky melodies, and thick, earthy riffs, Dance of the Last Rhino is exactly the kind of awe-inspiring instrumental guitar masterpiece we’ve come to expect from Jon Gomm. The above compositional elements aren’t layered in a multi-tracked sense, but performed simultaneously. If you’re new to Jon Gomm’s world, then welcome – and whether you’re a newbie or superfan, you know you need to check out the video below… Read more…

Posted on 16 November 2014

Nick Johnston – ‘Atomic Mind’ [Review]

nick johnston atomic mindOver the past few decades, the instrumental guitar community has done little to silence its critics, the “It’s all just wanking over a lame backing track” lot. With Atomic Mind, Nick Johnston is coming to the rescue – and his efforts definitely deserve acknowledgement.

Backed up by two of the ever-classy Aristocrats in Marco Minnemann and Bryan Beller (and inviting third fusion luminary Guthrie Govan to share the spotlight during Silver Tongued Devil), Nick Johnston infuses every note with character and soul – which is an impressive feat considering just how many notes get pumped through your headphones over the course of Atomic Mind‘s ten tracks. This is instrumental music, after all – but there’s still no sense of ego-gratifying profligacy, provided you can hear fast enough. Instead, Johnston, Minnemann, and Beller brew up consistently moving and hard-grooving sketches that grow on you with each listen. Read more…

Posted on 15 October 2014

CHON – ‘Woohoo!’ [Review]

chon woohooThis EP is aptly titled. If you’re feeling starved of intense and immense prog-fusion brilliance, then you should do two things: Read more TMMP, and check out CHON. They’ll seduce you effortlessly with opening acoustic-centric track Super Potion, and leave you wondering what the fuck just happened by the time Knot is finished. Not bad for just two tunes. Read more…

Posted on 10 October 2014

Stanley Clarke – ‘Up’ [Review]

stanley clarke upOn this twelve-track long player, über-groovy bass maestro Stanley Clarke set out to have fun with some legendary friends – and a tangible sense of shared joy, excitement, and creative intentionality shines through every second of Up. After 40 solo albums, it’s safe to say that Stanley Clarke has established a signature sound all his own – and although long-time bass fans may feel that they know what to expect, there’s a genuine vibrancy and freshness on Up that marks it out as an exceptional album. Read more…

Posted on 09 October 2014

Father Figure – ‘Heavy Meddlers’ [Review]

father figure heavy meddlersI was first introduced to this album by Falsense – and now, let’s just say that I owe him a lot of drinks. I already spend much of my spare time listening to fusion and prog bands – many of whom have been written about in this very corner of the interwebs – and my standards have been driven consistently upwards by the outstanding contributions that have already come my way. Nonetheless, Father Figure meet (and frequently exceed) those standards with a borderline terrifying effortlessness. Read more…

Posted on 06 October 2014

Trioscapes – ‘Digital Dream Sequence’ [Review]

trioscapes digital dream sequenceTMMP is all about stretching beyond your comfort zone – and this set of super-intricate fusion tunes will definitely aid in that quest, regardless of how “out-there” you may have been before. Read more…

Posted on 17 September 2014

Thomas Leeb – ‘Trickster’ [Review]

thomas leeb trickster 2Sublime. Infinitely cool. Near-impossibly effortless. Building fragmented non-sentences made up of adverbs and adjectives can be seen as bad writing, but it’s also an effective method when it comes to describing Trickster. Carefully chosen notes flow through strangely-tuned strings and warm tones to arrive in the ears fully formed and deliciously seductive. I love this track – and if you’re into the likes of Mike Dawes, Andy McKee and company, you definitely will too. Read more…

Posted on 16 September 2014

Atiptoe / Patchwork Natives – ‘Split EP’ [Review]

atiptoe patchwork nativesOne thing’s for sure: Surrey-based indie label Failure By Design have great taste. For evidence, just give this split EP a metaphorical spin. Read more…

Posted on 06 September 2014

Parachute For Gordo – ‘Decoy Octopus’ [Review]

parachute for gordo logoParachute For Gordo are nothing if not inventive – and this video serves only to carve that statement in stone and shine a crystal-clear spotlight upon it. Fittingly quirky, unusual, and strangely attractive, Decoy Octopus is a must-watch for anyone willing to push some boundaries and indulge their arty side. Read more…

Posted on 01 September 2014

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