Trevor Gordon Hall – ‘Turning Ruts Into Grooves’ [Review]

trevor gordon hallAlthough this piece is aimed at creative people who are traversing the long, desolate desert of writer’s block, it’s also a great pick-me-up for anyone experiencing an awkward life period, whether it be termed a “dry patch” or a “dark night of the soul”. On Turning Ruts Into Grooves, Trevor Gordon Hall employs his virtuosic guitar talents in evoking feelings of uncertainty, ambiguity, anxiety, inertia, and the slow emergence of fresh direction and determination. Not so much a piece of music as an act of public service. Read more…

Posted on 20 November 2014

Jon Gomm – ‘Dance Of The Last Rhino’ [Review]

jon-gomm rhinoOpening with a scratchy guitar body groove and winding its way through percussive harmonics, slinky melodies, and thick, earthy riffs, Dance of the Last Rhino is exactly the kind of awe-inspiring instrumental guitar masterpiece we’ve come to expect from Jon Gomm. The above compositional elements aren’t layered in a multi-tracked sense, but performed simultaneously. If you’re new to Jon Gomm’s world, then welcome – and whether you’re a newbie or superfan, you know you need to check out the video below… Read more…

Posted on 16 November 2014

Nick Johnston – ‘Atomic Mind’ [Review]

nick johnston atomic mindOver the past few decades, the instrumental guitar community has done little to silence its critics, the “It’s all just wanking over a lame backing track” lot. With Atomic Mind, Nick Johnston is coming to the rescue – and his efforts definitely deserve acknowledgement.

Backed up by two of the ever-classy Aristocrats in Marco Minnemann and Bryan Beller (and inviting third fusion luminary Guthrie Govan to share the spotlight during Silver Tongued Devil), Nick Johnston infuses every note with character and soul – which is an impressive feat considering just how many notes get pumped through your headphones over the course of Atomic Mind‘s ten tracks. This is instrumental music, after all – but there’s still no sense of ego-gratifying profligacy, provided you can hear fast enough. Instead, Johnston, Minnemann, and Beller brew up consistently moving and hard-grooving sketches that grow on you with each listen. Read more…

Posted on 15 October 2014

CHON – ‘Woohoo!’ [Review]

chon woohooThis EP is aptly titled. If you’re feeling starved of intense and immense prog-fusion brilliance, then you should do two things: Read more TMMP, and check out CHON. They’ll seduce you effortlessly with opening acoustic-centric track Super Potion, and leave you wondering what the fuck just happened by the time Knot is finished. Not bad for just two tunes. Read more…

Posted on 10 October 2014

Sean Ashe – ‘Hemisphere’ [Review]

sean ashe hemisphereStrident and ultra-confident strutting delivered via thick, lush tones. Sensual melodic contours that become rolling hills and deep valleys while skilfully avoiding Satriani-esque clichés. Instrumental guitar that leans on the less-wanky and more-emotional end of the spectrum. A damn good tune. Read more…

Posted on 05 June 2014

Animals As Leaders – ‘The Joy Of Motion’ [Review]

AAL Joy Of MotionFinally, on their third album, Animals As Leaders have sold out. Gone are their trademark twisting riffs and über-dense polyrhythms – all of their previous idiosyncrasies have been ironed out, replaced with a light and airy, easily digestible, radio-friendly approach sure to see them bothering the pop charts. In fact, Miley Cyrus made headlines just hours ago when she tweeted “OMG cant get enuf of da noo AAL record! Mega luv #nextalbumtobeallgent”. Time to jump ship, I’m sure you’ll agree.

Only kidding. Read more…

Posted on 30 March 2014

Alon Tamir – ‘Terraforming’ [Review]

The word ‘epic’ gets tossed around a lot these days, and I’m as guilty as anyone else of overusing it. But what other words could most effectively be used to describe this track? Intense? Sure. Badass? Certainly. But to my mind, all alternatives to ‘epic’ pale in comparison. Perhaps the best course of action is to stick all of the above together, brush aside that writerly aversion to adverbs and state that this track is intensely, epically badass. Read more…

Posted on 11 January 2014

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