With Guildford venue the Boileroom facing the possibility of closure, TMMP caught up with Victorian Whore Dogs to discuss the Boileroom and the state of the UK’s live music scene.
This interview is part of a larger TMMP feature which can be read in full here.
What is your general opinion of the Boileroom?
It’s a good place, and one of the better venues in this area for sure. They have a great bunch of organisers and a Read more…
Sometimes the old ways are the best.
Over the past fifteen years, the music world has been revolutionised by digital technology. There have been many positive developments facilitated by the Internet, from social media sites to digital music stores and crowdfunding platforms. Smart and savvy musicians now have access to a wealth of tools that previous generations could only dream of – but the physical world still holds the key to a thriving, successful career.
The ease with which a band can break through barriers previously manned by a handful of power-hungry gatekeepers represents the bright side of digital music – but there is also a widely recognised and heavily debated Read more…
Nothing gets you in the mood for a metal gig quite as effectively as car trouble. When reviewing gigs, you want to be like Mel Gibson’s character in We Were Soldiers – first to enter, and last to leave. For this show, I was not that.
Unfortunately I missed Victorian Whore Dogs (what a name!) and Employed To Serve entirely. Shit. Send any complaints for this omission to ibreakcarssomusicwriterscantgettogigsontime@shittymechanics.com, and be sure to check out VWD and ETS via the list of links below.
BEAR
I caught BEAR’s final three songs – and they were absolutely amazing. BEAR are a djent-ridden Belgian Dillinger Escape Plan intent on making sure their instruments barely survive the equipment-wrecking end of their set, and they’re heavier than trying to read A Brief History Of Time after staying awake for 72 hours. Read more…