Pressurehead: ‘The Live EP’ [Review]

If rock was human, it would be fast approaching retirement and looking forward to a nice, relaxing, peaceful existence free of the endless struggles against the enforced conformity faced by every person over the course of their adult lives. Over the course of its near-sixty-year existence rock has also spawned a great many offspring that took up the fight against cultural paralysis and inertia. From Sgt. Pepper and Hendrix to punk, prog, and post-rock, each generation has created its own unique take on rock’s original blueprint, helping to evolve the genre in the process. Read more…

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Posted on 24 May 2013

Free Peace: ‘Honey’ [Review]

Today, it’s a beautiful Sunday – complete with that perfect combination of boiling sun and cool breeze that practically demand you spend the daylight hours lounging in the garden with some ice-cold water and fresh fruit to hand. And, just to add a cherry to this big cake of happiness, Free Peace have seen fit to grace us with a live version of their track ‘Honey’, available to view below. If the singer looks and sounds familiar, that might be because she also sings for Lunatrix, whose Mr Sunshine EP was reviewed on here a while back. Read more…

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Posted on 19 May 2013

Cyan Marble: ‘Maya EP’ [Review]

The title of this EP sums it up perfectly. To save you a Google search, the term ‘Maya’ refers to the supernatural ability to create illusions, such as the various sensory inputs we all encounter naturally over the course of our lives, as well as those idiosyncratic, subjective experiences that lead us to conclude that we each exist as separate, individual selves. These illusions then become the cause of much suffering, dis-ease, and confusion – and any efforts to escape their all-pervading influence can in turn lead a struggling consciousness into even more confusion, to the point of becoming lost in a philosophical and existential labyrinth. Read more…

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Posted on 14 May 2013

Tobel Lopes: ‘Cabresto’ [Review]

We all know the feelings unique to Monday mornings. The bleary-eyed knackeredness, the aching muscles, the brain filled with thoughts and memories of the weekend that, perhaps, make us wish we hadn’t been born with neurons. What you need is to wake up – to be unceremoniously jolted out of your inertia-filled state of conscious unconsciousness. We all have our own rituals with which to achieve this: a morning workout, jog, cigarette, coffee, espresso, Red Bull, perhaps all of the above. But these options require actual physical effort. At the very least, you need to get out of bed. Hassle. Read more…

Posted on 13 May 2013

Toseland: ‘Life Is Beautiful’ [Review]

Here in the UK, the sun is finally with us. As the flowers bloom and trees grow leaves again, the world is fast becoming bright and vibrant after a long, desolate winter. With summer fast approaching, all that we now need is an epic playlist of upbeat, optimistic music to match the scenery. And with ‘Life Is Beautiful’, James Toseland and his epically talented band have hit the nail on the head. A wakeup call for people still dragging their feet in the face of an exponentially blossoming reality, ‘Life Is Beautiful’ acts as a four-minute affirmation of the true state of things – exciting, fun, and positive. And, being a heavy rock track, there are some damn delicious riffs in there too. Read more…

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Posted on 21 April 2013

Ghost In The Static: ‘Fallout’ (Album Review)

Ghost In The Static Fallout Album Review

Technology is a double-edged sword. Even the most outwardly innocuous innovations can conceal a dark side: Facebook, for instance, helps many people casually manage their social lives, while others find themselves trapped within an addiction to its constant, never-ending information streams and wide array of captivating apps. At the other end of the scale, there are technologies specifically designed to harm, kill, injure, and maim – guns, tanks, and bombs, for instance. The possibility of nuclear war has terrified the world’s population ever since the fateful destruction of Hiroshima and Nagasaki – and in the world of music, industrial bands have been uniquely positioned to comment and speculate upon the possibility of a post-apocalyptic future. Read more…

Posted on 20 April 2013

II II II – ‘A Conundrum On My Coffee Table’ [Review]

Wow. Seriously, just wow. As incredible as progressive music is, it remains a rare treat to discover music of that ilk which manages to condense an epic’s worth of consciousness-twisting ideas into a space of time more usually reserved for punk songs about being angry, being angry about being angry, and/or indulging in immature toilet humour, and then makes it work in a way that keeps you coming back for more, never becoming bored even ten listens later. A series of tiny balls of complexity that will take months to really unravel, ‘A Conundrum On My Coffee Table’ is a spectacular mini-album that should keep your headphones glued to your ears. Just remember to tear them away when operating heavy machinery. Read more…

Posted on 12 April 2013

Lunatrix – ‘Mr Sunshine EP’ [Review]

Here in the UK, spring is taking its sweet time in joining us. However, just as the first rays of sunlight tentatively poke through the clouds we already have cause to dance around like it’s scorching hot outside thanks to Guildfordian gypsy swing sextet Lunatrix and their debut EP, appropriately entitled Mr Sunshine. A set of five finely crafted, bouncy, and engaging songs chock full of tasteful guitars, driving drums, and flamboyant trumpet licks, the Mr Sunshine EP is the perfect soundtrack to your summer, even if it hasn’t technically started yet. And by the time you’re sweltering in the park or chilling out on a moonlit beach, you’ll be well-practiced in singing along to the faultless vocals of Abi Evans and Kristy Poulton as they discus life, love, and…well…grabbing men’s arses, apparently. Read more…

Posted on 27 March 2013

Dials – ‘Exodus (Miracle)’ [Review]

Regardless of what might come after it, any song that starts with a ballsy, ass-kicking riff is fine by me. And happily, Dials don’t disappoint – although it might not win any prizes for originality, Exodus (Miracle) still kicks off with a groove as good as any you’ve heard to date, and follows through with a professional performance that mixes the essential combination of polish and grittiness required of any alt-rock offering worth its salt. If you like your rock hard (no laughing at the back) and your vocals passionate but edgy, you should give Dials your time and attention. Read more…

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Posted on 23 March 2013

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