Red Seas Fire – ‘Confrontation’ [Review]

red seas fire confrontationMetal’s been around for a long time now – but it never ceases to amaze me how many musicians are still finding ways to breathe new life into a genre so frequently mocked for its backward-looking retromania.

On Confrontation, Red Seas Fire take all manner of pre-existing metallic mutations and mix them into still another fresh sound. Think Korn’s first album mixed with Periphery’s latest and you have Tyrants; visualise Chester Bennington laying down vocals over a Killswitch Engage / Tesseract jam and you’ll get closing track Compass. The Gold Room, meanwhile, offers fuzzy riffs and hardcore vocals alongside catchy lyrics sure to translate live and a bit of Dillinger Escape Plan-esque mathiness toward the end, while The Grand Escape is pure djent-fuelled filth. In short, Confrontation is all killer, and absolutely no filler. Read more…

Posted on 17 September 2014

Ilenkus – ‘The Crossing’ [Review]

The Crossing ArtworkIrish prog-metallers Ilenkus sure know how to stir things up. The moment opening track Devourer kicks in, we’re chucked into a merciless rhythmic maelstrom and dragged through tangential twists and turns punctuated with screams that might echo our own, were we allowed to pause for breath. Relentlessly intense, skin-rendingly cathartic, and hectic as fuck – and that’s just the first track. Read more…

Posted on 03 September 2014

Júlio Stotz – ‘Suspended In Reverie’ [Review]

Julio stotz suspended in reverieOne of my favourite things about the Internet is easy access to music from across the world. Here at TMMP, I’ve been honoured to hear music from the UK, the USA, Belgium, France, Israel, Japan, and many other territories besides. Júlio Stotz hails from Brazil – and his debut EP Suspended In Reverie is a confident, flamboyant, and solid-as-concrete construction. Read more…

Posted on 16 April 2014

Animals As Leaders – ‘The Joy Of Motion’ [Review]

AAL Joy Of MotionFinally, on their third album, Animals As Leaders have sold out. Gone are their trademark twisting riffs and über-dense polyrhythms – all of their previous idiosyncrasies have been ironed out, replaced with a light and airy, easily digestible, radio-friendly approach sure to see them bothering the pop charts. In fact, Miley Cyrus made headlines just hours ago when she tweeted “OMG cant get enuf of da noo AAL record! Mega luv #nextalbumtobeallgent”. Time to jump ship, I’m sure you’ll agree.

Only kidding. Read more…

Posted on 30 March 2014

Periphery – ‘Clear’ [Review]

Periphery clearWhether you love or hate these guys, one thing cannot be denied: Periphery are not your standard metal band. While many acts continue to follow the well-travelled offline career path – centred primarily around toilet circuit gigs, the occasional EP, and appeals to labels to fund an album – Periphery head honcho Misha Mansoor made his name online, releasing solo material under the alias ‘Bulb’ and constructing his brand through unconventional (but clearly super effective) communication channels. Although it is popular in some circles to regard online audience-building as the mark of the heretical, double-dealing cheater, in the music business it’s just good sense.

Today, as if to affirm that conclusion, new YouTube bands are born on a daily basis, while labels focus increasingly on ‘platform size’ and ‘audience engagement’ as key metrics when considering a future signing. In a world where everything is on the table – not just the likes of Alex Day and Dorje but more or less every musical performance that has ever taken place in front of a functional video camera – sitting on your laurels guarantees, now more than ever, the inexorable certainty of crushing failure.

Fortunately, Periphery have proven more than aware of this fact, making a clear and conscious effort to consistently push themselves out of their collective comfort zones. Of their work so far, nothing proves this point as effectively as Clear. Read more…

Posted on 18 January 2014

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