A friend recently asked me to write a review describing an awful band as a “shit sandwich” – and when Sweet Deals On Surgery offered up this EP in exchange for a brief review regardless of which words I might choose, I expected to wind up satisfying both parties. Unfortunately, the former will have to wait a while longer – because as scrappy and unkempt as Total Reek Hole is, it’s just as equally enjoyable. Read more…
Given his status as one of the world’s top drummers, it’s safe to say that Marco Minnemann is a bit of a legend. Whether drumming for Joe Satriani, recording and performing as one third of The Aristocrats alongside Guthrie Govan and Bryan Beller, or working with the likes of Jordan Rudess, Tony Levin, Alex Machacek, Mike Keneally, Terry Bozzio, Nina Hagen, Necrophagist, Kreator, Buddy Rich Big Band, and Steven Wilson, Marco never fails to bring his A-game to each and every project he throws himself into. While most players would be content to hit one of the above achievements and then rest on their laurels, Marco Minnemann is clearly not.
In addition to his long list of collaborative victories, Marco Minnemann is also an immensely talented solo artist in his own right. On his latest release, EEPS – which drops today, and can be previewed and ordered via the links at the end of this post – Marco wrote and performed every note and lyric and even got involved with the production, alongside Lazy Bones Recordings head honcho Scott Schorr. In an increasingly DIY-oriented industry, Marco Minnemann is showing every up-and-coming solo artist exactly how it’s done.
In our very first Artist Interview, Marco tells TMMP about EEPS, the future, and the importance of good sex. Read more…
And we’re back! After major heart surgery, a round of Type-A flu, acute appendicitis, and many other less-than-fun experiences, The Musical Melting Pot is finally back online and ready to bring you even more epic new music.
Needless to say, the past several weeks have been brutal, difficult, and not a little dark – but there were moments of positivity and clarity scattered about as well. One such moment was the release of this EP – a Facebook news feed discovery that yielded many hours of blissful escape from windowless quarantine rooms and slowly healing surgical wounds. I owe a debt of gratitude to RedTower simply for existing; some intangible quality separated Afterall from its peers in terms of sheer immersive potential, providing many much-needed periods of relief. As TMMP’s archives demonstrate, my musical tastes are nothing if not eclectic; therefore, that this EP consistently topped the entire contents of my iCloud library and Spotify’s bottomless catalogue for seven full days is testament to the existence of some potentially imperceptible x-factor.
But what might it be? Read more…