VASA [Interview]

VASA Colours Banner

If super-intense instrumental math rock is your thing, you’ve either heard of VASA and love them, or have just heard of VASA and will love them in the near future.

In this interview, TMMP talks to VASA bassist John Niblock about VASA’s new album Colours and the band’s past, present, and future…

Your debut album Colours is out now. How does it feel to finally have it out there?

It’s a mix of relief and pride, I’d say. We’ve spent the last 10 months working on it and building up to it, so it was great to finally let people hear the album that we spent so much of our time on. We’re very proud of the end product and couldn’t be happier with the response it’s gotten.

What’s VASA’s origin story?

I met Blaine (Thompson, guitar) during my second year of university. We started writing together, and shortly after he brought in Scott (Coupar, guitar), who he had been friends with from their high school years. We recruited Niall (Morison MacRae, drums) last June after replacing our old drummer.

When it came to writing the tracks on Colours, what was your creative process like?

Quite a few of the tracks had been started just before Niall joined, so for most of them it was Read more…

Posted on 27 October 2015

Signals / Me And The Moon / China Bears [Live Review – The Star, Guildford, 23/10/2015]

Signals

Here’s a list of things that could stop me from seeing Signals when they’re in town:

1) Death.

That’s about it.

Since on a Friday night most punters tend to show up for the headliners and ignore the supports, said supports tend to be…shall we say…not very good. However, China Bears (75%) managed to buck that trend with a very nice, low-key, poppy indie-folk acoustic set that went over well despite falling victim to some standard-for-acoustic-sets-everywhere crowd chatter.

Me And The Moon (70%), meanwhile, were at an awkward point for any band, performing for the first time with an entirely new rhythm section who still need time to settle in. Here, they were a band of two halves – a frontwoman and guitarist working hard and successfully on their onstage confidence, meeting the gaze of every last person in the room, and a drummer and bassist who with time and experience will no doubt be doing the same sooner rather than later. Songwriting-wise, these guys were great – a work in progress with plenty of potential.

Signals (96%) have always been an immense band, in possession of a style brimming with cool subtleties. Complex but accessible, technical but still soulful, Signals’ self-label, “math-pop”, fits  Read more…

Posted on 24 October 2015

The Manic Shine – ‘Trial And Triumph’ [Review]

The Manic Shine

This album is so dirty and graceful that if it were a car, it would look like this:

dirty car art

Fans of radio- and arena-ready rock with major-league personality are going to find themselves in heaven here. Those given to analysing every note in order to divine a band’s influences will be in there a while, ticking off everyone from Audioslave and Soundgarden to Royal Blood, Led Zeppelin, Van Halen, Buckcherry, Mötley Crüe, Foo Fighters, Queens Of The Stone Age and Them Crooked Vultures over the course of 40 minutes of rock’n’roll bliss.

That said, you don’t have to be the music world’s equivalent of a Read more…

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Posted on 20 October 2015

Coheed And Cambria – ‘The Color Before The Sun’ [Review]

Coheed And Cambria

When the first couple of tracks on an album carry “Explicit Lyrics” warnings, I consider that a good sign. After all, who wants to hear a band holding back?

After seven conceptually-themed Coheed And Cambria albums comes The Color Before The Sun, a collection of autobiographical tracks based on frontman Claudio Sanchez’s life. It’s a real right-angled creative direction change, but judging from the unmistakable passion that permeates its entire running time, it was clearly necessary.

Given its nature, this is not an album that can (or arguably even should) be compared to Coheed And Cambria’s previous efforts.

The question is: Does The Color Before The Sun work as an album in its own right?

The answer is Read more…

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Posted on 16 October 2015

Arcane Roots – ‘Heaven & Earth EP’ [Review]

Arcane Roots

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Fancy a challenge? Then try this:

Stick this EP on, sit down, and try to remain perfectly still.

It’s fucking impossible.

Calling Arcane Roots passionate, energetic, talented, and epic is like calling the sky blue. Those labels aren’t subject to debate, but undeniable facts. Heaven & Earth sees Arcane Roots push themselves to a new level, penning some of their most accessible tunes to date while remaining unafraid to tangentially turn into raw, frenetic math-ridden riffage whenever they deem it most appropriate.

Opener If Nothing Breaks, Nothing Moves illustrates Read more…

Posted on 16 October 2015

Nothing But Thieves [Interview]

Nothing But Thieves

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Today is a big day for fans of arena-ready rock with a twist. Nothing But Thieves have just released their eponymous debut album – and it is an absolute banger. Having been blown away by said album and raved about it in this review, TMMP talks to Nothing But Thieves frontman Conor Mason about Nothing But Thieves, supporting Muse, bad stage dives, and the future…

Your debut album is due out this month. What thoughts and feelings are going through your minds right now?

If I’m honest, I can’t quite believe it. We’ve all been in bands since we were kids. To have a debut album coming out on a major record label is quite ridiculous.

How did NBT come to be? What’s your origin story?

Story starts with Joe and I meeting at school. He was a couple years older, and we started a band together when we were kids.

Dom joined our school to do music; Phil is Dom’s cousin; and Price used to play in bands supporting us in Southend. So we nabbed him…

What’s your earliest musical memory?

Singing I Believe I Can Fly in the shower with my mum. Weird aye. What’s weirder is my memory span only stretches a couple years back.

If you had to pick just one moment as a highlight of your journey so far, which would it be and why?

I would have to say playing with Muse to 40,000 people. We may Read more…

Posted on 16 October 2015

Signals – ‘Lungs Apart’ [Review]

Signals Lungs Apart Sleep Talk Facial Furniture EP Album Paraesthesia Single Review Band UK

Take two parts Imogen Heap’s pre-solo-work project Frou Frou, and three parts Signals’ unique math-pop stylings, and you have this absolutely amazing little single.

Every time these guys come out with something new, I’m all over it for many a good reason. Signals’ ability to pen deeply complex yet accessible songs; their stellar musicianship and otherworldly chops; the Read more…

Posted on 15 October 2015

Yossi Sassi [Interview]

Yossi Sassi

yossi sassi eu tour 2015If rock-oriented instrumental guitar is your thing, Yossi Sassi is a name you need to know. In this interview, TMMP talks with the man himself about his upcoming EU tour, the bouzoukitara (Sassi’s unique signature instrument), creativity, spirituality, and more…

You’re set to tour Europe this December. How’re you feeling about it?

We can’t wait to share the Desert Butterflies show with our European followers! The set list is promised to be diverse and rich, spanning both solo albums, as well as some past materials and surprise songs, past and future.

What’s your earliest musical memory?

Age 1.5 or so. I recall my father singing in his underwear in the living room!

Seriously, I was surrounded by music all my life. My grandfather was born in Thessaloniki, Greece, and played the oud, and was teaching music to his 10 children. I absorbed it from childhood.

I first played the flute around age seven, then sang in school choir. Then came the guitar, and it was right on the spot. The right instrument. It changed my life ever since.

You have a signature instrument – the bouzoukitara. How did that instrument come to be?

For years I’ve been playing over 17 different instruments, yet composing mainly on bouzouki, acoustic guitar, and electric guitar.

In 2011 I composed a couple of songs for ‘Melting Clocks’ that demanded me to move between those instruments when playing live. I decided to plan an instrument, seeking an efficient way to switch between the acoustic Greek bouzouki to the electric guitar.

The “bouzoukitara” is a unique instrument that combines a traditional acoustic bouzouki with an electric solid-body guitar, and acoustic guitar. Together with luthier Benjamin Millar, I was able to Read more…

Posted on 12 October 2015

In Dynamics – ‘We Are Liars’ [Review]

In Dynamics

On We Are Liars – a knockout punch delivered with grace by a rock-solid fist – In Dynamics seem set on getting people excited about their upcoming debut album.

Well, it’s definitely working at this end. Fuck me. Gut-wrenching words; huge riffs; a sky-high chorus hook…this is really all you should need!

Turn up the volume, press Read more…

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Posted on 08 October 2015

Secret Black Boyfriend – ‘This Is What Happens When Everyone Wins A Trophy’ [Review]

Secret Black Boyfriend

Secret Black Boyfriend are more than an odd name. They’re an odd band, with a hard-to-categorise sound. For most of their second album, they sound like Reuben jamming with Rage Against The Machine’s rhythm section – only to throw a massive curveball on final track Hepatinnitus, where bleak, noise-ridden math-punk is the order of the day.

This album will have you scratching your head while rocking out – so do it in public at your peril.

Opening track Baby Shooter hits hard with raw, incensed lyrics addressing domestic violence – and seventh cut High Fives Save Lives hits the same mark with one of the best riffs of the lot and words directed at Read more…

Posted on 08 October 2015

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