Devil Sold His Soul / Bad Sign / FOES (Live Review – Tufnell Park Dome, London, April 29 2017)

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A good gig should be a break from reality. The world beyond the walls of the music venue in question should temporarily cease to exist. You should be made to forget any problem that’s rumbling away outside of those walls, without even realising that said forgetting has happened Read more…

Posted on 30 April 2017

At The Drive-In – ‘in.ter.a.li.a’ (Album Review)

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The last time At The Drive-In released an album, my brain wasn’t ready for them. Over the years since 2000’s Relationship Of Command, I’ve adapted to and embraced the world of challenging, complex, left-of-centre music – including, of course, the ultra-prolific output of tone-mangler Omar Rodriguez-Lopez and The Mars Volta. Now, 17 years have passed – and ATDI are back, determined to pick up where they left off Read more…

Posted on 26 April 2017

Falling In Reverse – ‘Coming Home’ (Album Review)

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Falling In Reverse have always been a divisive but diverse band. Everything they release leads to a massive debate about which parts are good, and which parts are bad. Even after five or six years, a general consensus has not been reached.

Having already experimented with emo, metalcore, hip-hop, and electronica, Falling In Reverse continue to expand their comfort zone on Coming Home. The opening title track is a bar-setting start, bringing in parts of 30 Seconds To Mars, Muse, and Angels And Airwaves. Driven by dirty, heavy synths and absolutely going for it, it is Read more…

Posted on 05 April 2017

Acres – ‘In Sickness & Health’ [Review]

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Musicians often struggle to sum their art up in a handful of words – or, equally often, simply refuse to. It’s understandable, given that creative people naturally tend to be too close to and involved in their work to be able to stand back and take an outsider’s perspective. But on rare occasions, a band manage to hit the nail on the head with impressive concision.

Acres define their music as “sad songs for sad dudes,” and it is definitely Read more…

Posted on 01 February 2017

Ocean Grove – ‘The Rhapsody Tapes’ [Review]

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Just as you shouldn’t judge a book by its cover, you shouldn’t judge a band by its name. When I first heard of Ocean Grove, I expected them to be a pop-punk outfit, a happy-go-lucky group of charming cheeky chaps writing songs about looking back nostalgically at teenage years full of good times, sunshine, girl problems, and probably either surfing or skating.

But, of course, expectations don’t always equal Read more…

Posted on 31 January 2017

Dillinger Escape Plan / Ho99o9 / Primitive Weapons [Live Review – Concorde2, Brighton, 26/1/2017]

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Weeknight gigs are normally low energy affairs. The crowd is usually set on saving its energy for Friday, that one long last push needed to get work done and dusted before the weekend. Then, come Friday and Saturday night, it’s time to go the fuck off and spend the rest of the weekend in recovery.

Normally.

When The Dillinger Escape Plan are in town, it’s a different story – and when they have the likes of Primitive Weapons (92%) in tow…Jesus. Hailing from New York and clearly fired up by Read more…

Posted on 27 January 2017

Jamie Lenman – ‘Mississippi’ [Review]

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Jamie Lenman is one of the UK’s greatest songwriters. The proof is already out there in the form of Muscle Memory, Racecar Is Racecar Backwards, Very Fast Very Dangerous, and In Nothing We Trust – the latter three released way back when Jamie Lenman fronted underground UK rock kings Reuben. Arriving post-Reuben, 2013’s Muscle Memory was a double album taking in everything from viciously intense mathcore to laid-back ukulele-driven folk Read more…

Posted on 23 January 2017

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