Plini Playing With Steve Vai? (Interview)

Plini Live At The Borderline London 2017 David Maxim Micic Disperse Jakub Zytecki, Destiny Potato, Handmade Cities, John Waugh, The 1975, Away, Living Room, Someone Else's Hat, Damar, 687 Days, Serbia, Belgrade, Who Bit The Moon, Foreword, Surrender, Bubbles, Gabriel, Dancing With Endless Love, Enigma Of Abode, Stay, Tether, Message From Atlantis, Electric Sunrise, Moonflower, Atlas, The End Of Everything, Selenium Forest, Inhale, Cascade, Paper Moon, Interview Guitar Guitarist Vocalist Vocals Drummer Drums Bass Bassist Feature New Album EP Single Review CD Concert Gig Tickets Tour Download Stream Live Show Torrent Music Musician Record Label thes Update Facebook YouTube channel Twitter VEVO Spotify iTunes Apple Music Instagram Snapchat Band Logo Cover Art Bandcamp Soundcloud Release Date Digital Cover Art Artwork Split Why Did Break Up New Final Last Latest News Update merch shop buy rar release date songs track listing preview lyrics mp3 Wikipedia wiki bio biography discography gear tuning rig setup equipment 320 kbps official website poster kerrang rock sound q mojo team rock metal hammer NME t shirt hoodie hoody cap hat tab video vinyl wallpaper zip Steve Vai For The Love Of God Tender Surrender Bad Horsie Real Illusions, The Story Of Light, Passion And Warfare, Modern Primitive, Flexable, Flex, Able, Where The Wild Things Are, Fire Garden, Whispering A Prayer, Building The Church

As a long-time Plini and Steve Vai fan, this interview threw up an extremely exciting idea. Backstage at legendary London rock venue The Borderline, we got chatting about broken ukeleles, clean section circle pits, and that incredible plan…

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Posted on 24 March 2017

PLINI / DISPERSE / DAVID MAXIM MICIC (LIVE REVIEW – THE BORDERLINE, LONDON, MARCH 19 2017)

Plini Live At The Borderline London 2017 David Maxim Micic Disperse Jakub Zytecki, Destiny Potato, Handmade Cities, John Waugh, The 1975, Away, Living Room, Someone Else's Hat, Damar, 687 Days, Serbia, Belgrade, Who Bit The Moon, Foreword, Surrender, Bubbles, Gabriel, Dancing With Endless Love, Enigma Of Abode, Stay, Tether, Message From Atlantis, Electric Sunrise, Moonflower, Atlas, The End Of Everything, Selenium Forest, Inhale, Cascade, Paper Moon, Interview Guitar Guitarist Vocalist Vocals Drummer Drums Bass Bassist Feature New Album EP Single Review CD Concert Gig Tickets Tour Download Stream Live Show Torrent Music Musician Record Label thes Update Facebook YouTube channel Twitter VEVO Spotify iTunes Apple Music Instagram Snapchat Band Logo Cover Art Bandcamp Soundcloud Release Date Digital Cover Art Artwork Split Why Did Break Up New Final Last Latest News Update merch shop buy rar release date songs track listing preview lyrics mp3 Wikipedia wiki bio biography discography gear tuning rig setup equipment 320 kbps official website poster kerrang rock sound q mojo team rock metal hammer NME t shirt hoodie hoody cap hat tab video vinyl wallpaper zip Steve Vai For The Love Of God Tender Surrender Bad Horsie Real Illusions, The Story Of Light, Passion And Warfare, Modern Primitive, Flexable, Flex, Able, Where The Wild Things Are, Fire Garden, Whispering A Prayer, Building The Church

A lot of people think prog is cold and soulless – but Plini’s show on Sunday night was one of the most heartwarming shows I’ve seen in a long time. Some parts of the world are dark and hateful places – but The Borderline was not one of them.

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With a sold-out queue stretching around the corner and down the street, it goes without saying that Sunday night’s lineup was pretty special. Although I had heard of David Maxim Micic and Disperse before, I deliberately didn’t do any research on them before the show, because I wanted to be surprised by what they had to offer. Instead of being surprised Read more…

Posted on 21 March 2017

Wicked City – ‘So Good (Vocal Mix)’ [Review]

wicked city logoSome tracks just leave you stunned. This is one of them. Deadly-sexy, funky, deep, and gorgeously bass-heavy, So Good is…well… Read more…

Posted on 13 February 2015

The Skints – ‘FM’ [Review]

the skints fmAlthough my heart is forever torn between London and Brighton, the Skints are pulling me firmly in the direction of the capital with FM. A passionate paean to the Big Smoke, FM is a long-playing set of incredibly fine reggae-related tunes – and a must for audio-adoring culture tourists everywhere.

Although personal highlights are too numerous to list in full here (special mentions go to the sublime vocals on This Town (feat. reggae legends Tippa Irie & Horseman); the 8-bit blips on Come To You; and the hilarious episode of Dancehall Dilemmas that opens Friends & Business), the most important parts of the FM experience are Read more…

Posted on 12 February 2015

Djevara – ‘VIVA! / PUNK IS NOT A SOUND’ [Review]

djevara vivaSome bands spend their entire careers stuck in the shadows of others. Female-fronted rock bands are constantly compared to Paramore; prog-metal acts are weighed up against Dream Theater and Periphery; and political rock bands get pinned with the “RATM Clone” tag as soon as they hit a proper groove.

Third-group members Djevara have done more than most to Read more…

Posted on 04 February 2015

TMMP’s Top Gigs Of 2014

2014 has been a difficult time for underground live music in the UK. With small venues across the country facing all manner of issues, it was heartening to see the team behind Guildford’s Boileroom make it through an emotionally trying licence review process and move on to host some incredible gigs and community-oriented events. With any luck, 2015 will see a change in fortunes for venues like the Boileroom.

From intimate showings from ska legends to inhumanly tight math-pop sets via beatboxing virtuosity and an audience with the professor of punk, here are TMMP’s top gigs of 2014. Read more…

Posted on 21 December 2014

Beardyman [Live Review – KOKO, London, 28/11/14]

beardyman press

UPDATE: TMMP has been reborn! This video has the full story:

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On the walk from Waterloo station to Camden, I passed at least three busking beatboxers. The faces were different, but the acts were the same – a combination of robot impressions, oppressively generic beats, and faithful and flawless impressions of a variety of non-percussive instruments. By the time KOKO’s dramatic facade came into view, the novelty of solo beatboxing had more than worn off; London was beginning to feel saturated by Beardyman wannabes. Read more…

Posted on 01 December 2014

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